Hal Leonard Guastavino Carlos - Quien Fuera Como El Jazmin Satb & Piano - #2 From Indianas
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Hal Leonard
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Summary of This Score
"Quien Fuera Como El Jazmin... (Who Could Be Like the Jasmine...)" is No. 2 of the suite "Indianas" by Carlos Guastavino, a composer whose aesthetic blends romantic sensitivity and nationalist inspiration. This piece can be performed alone to enrich a concert program or a study focused on musicality, or integrated into the complete suite to benefit from the poetic and expressive coherence of the whole.
The suite "Indianas" consists of six numbers, each with its own character:
- 1. Gala del Dia (Adornment of the Day)
- 2. Quien Fuera Como El Jazmin? (Who Could Be Like the Jasmine?)
- 3. Chanarcito, Chanarcito (a thorny bush)
- 4. Viento Norte (North Wind)
- 5. Al Tribunal de Tu Pecho (To the Court of Your Heart)
- 6. Una de Dos (One or the Other)
In "Quien Fuera Como El Jazmin...", we find this Guastavinian signature made of lyricism, expressive momentum, and an atmosphere delicately tinged with Argentina. The piece invites attention to the continuity of the musical phrase, the balance of sound layers, and the subtlety of dynamics, to bring out the full poetry of the discourse. A relevant choice for musicians seeking a score that is both accessible to the ear and rich in interpretative nuances.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Carlos Guastavino | Collection | Indianas |
Questions frequently asked
Is Quien Fuera Como El Jazmin written for SATB choir and piano?
The score is written for SATB choir with piano accompaniment.
What place does this piece hold in the Indianas suite?
This work corresponds to number 2 of the Indianas suite. Carlos Guastavino's suite comprises six numbers. "Quien Fuera Como El Jazmin?" can be performed independently or as part of the entire cycle.
Who composed Quien Fuera Como El Jazmin?
Carlos Guastavino is the composer of this score, which belongs to the Indianas collection.
What musical style characterizes this choral score?
The language belongs to the classical genre and combines a romantic sensibility with Argentine nationalist inspiration.
What interpretation elements are emphasized in this number 2 of Indianas?
The interpretation requires careful attention to the continuity of the musical phrase, the balance of sound layers, and the subtlety of dynamics.
