Hal Leonard Piazzolla Astor - Oblivion (arr. Robert Longfield) - Score & Parts
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Hal Leonard
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Summary of This Score
Arranged here for a flexible soloist and strings, this captivating melody by Astor Piazzolla is aimed at musicians seeking a score that is both expressive and structured. The soloist holds a central role: the melodic line, lyrical and full of tension, invites work on sound projection, phrasing breath, and control of nuances. Depending on the chosen instrument (violin, flute, or oboe), this writing allows exploration of different colors while preserving the soul of the Argentine tango.
The string orchestra is not merely a support: it actively contributes to the piece's texture through a finely constructed rhythmic framework and accompaniment that highlights contrasts. Accents, emphases, and precision of attacks play an essential role in capturing Piazzolla's style, balancing energy and lyricism. This score thus constitutes an excellent choice for a concert, audition, or ensemble educational project, working equally on rhythmic setup and collective musicality.
Technical specifications
| Musical Genre | Latin | ||
| Composer | Astor Piazzolla | Genre | Argentine tango |
| Instrumentation | flexible soloist (violin, flute, or oboe) and string orchestra | ||
Questions frequently asked
Which solo instruments are planned for Oblivion?
The arrangement features a flexible soloist, choosing between violin, flute, or oboe, accompanied by a string orchestra.
Is the Oblivion score by Piazzolla written for string orchestra?
This edition combines the solo melody with a string orchestra. The accompaniment contributes to the rhythmic framework and highlights the contrasts of the piece.
Does the material include a conductor's score and individual parts?
The title indicates the presence of a score and parts. The material is arranged by Robert Longfield.
What style of tango is approached in this edition?
Composed by Astor Piazzolla, this work belongs to Argentine tango and the Latin genre. The solo line favors a lyrical phrasing with expressive tensions. Accents and rhythmic emphases contribute to the style of the work.
Which technical elements can be practiced with this score?
The writing allows working on sound projection, breath phrasing, and dynamic control. The precision of attacks is also required in the collective playing of the strings.
