Hal Leonard ZIMMERMANN F. - A CONTEMPORARY CONCEPT OF BOWING TECHNIQUE FOR THE DOUBLE BASS
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Hal Leonard
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Summary of This Method
Designed to support the double bassist in their technical development, this method is based on Zimmermann's experience, former principal double bassist of the New York Philharmonic and professor at several prestigious institutions (Juilliard, Columbia, Manhattan School of Music, NYU). The goal is clear: to help master the fingerings and bowings essential for a reliable, musical, and sustainable practice of the instrument.
Throughout the pages, you will work from carefully constructed exercises and "patterns" to create automatisms. The method emphasizes the logic of left-hand placement, stability in position shifts, and understanding of the most common sequences found in orchestral playing as well as study repertoire. It is a particularly effective resource for strengthening intonation, left-hand/right-hand coordination, and fluidity in repetitive passages.
Regarding bowing, the book offers playing diagrams that help establish sound consistency, control articulation, and clarify bow attacks. By working on these formulas, the double bassist learns to anticipate gestures, better manage bow distribution, and develop a more homogeneous sound. Whether you are consolidating fundamentals or seeking a methodical support to refine your technique, this method is an excellent complement to working with a teacher and studying pieces.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Zimmermann | Genre | Method |
| Instrumentation | Double bass | ||
Questions frequently asked
Does this Zimmermann method suit bowing technique practice on the double bass?
The book offers bowing diagrams designed to establish sound consistency, control the attack, and clarify articulations.
How does this method assist the left hand on the double bass?
The exercises and patterns address the logic of left hand placement and the stability of position shifts. The work also targets common sequences in orchestral playing and study repertoire.
Is Zimmermann A Contemporary Concept of Bowing Technique oriented towards classical music?
The indicated classification is the classical genre, with instrumentation dedicated to the double bass.
Can coordination of both hands be practiced with this score?
The proposed formulas serve to strengthen coordination between the left and right hands. They also target fluidity in repetitive passages. Bow distribution is part of the addressed techniques.
What is the background of the author of this double bass method?
François Rabbath Zimmermann is described as former principal double bassist of the New York Philharmonic and teacher at Juilliard, Columbia, Manhattan School of Music, and NYU.



