Henle Verlag Beethoven L.V. - Parthia Op.103 - Rondo Woo 25 - Octuor A Vents
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Summary of This Score
In 1793, Joseph Haydn wrote to the Elector Prince of Bonn to highlight the progress of his student, even stating (without bias, in his own words) that Beethoven would one day be counted "among the greatest composers in Europe." The prince's response, however, was more nuanced: the Parthia op. 103, sent as evidence, seemed already partially known to him, implying that Beethoven had mainly reworked an earlier composition.
In any case, this score highlights an essential facet of the young Beethoven: a writing style already solid, inventive, and technically accomplished. The Parthia and the Rondo WoO 25 (originally conceived as the final movement) thus form a particularly revealing set of his sense of balance, structure, and character, while offering a rich musical ground for collective work and attentive listening between sections.
Offered in Urtext edition, this publication aims for a clear and musical reading, with a carefully established text. It is also distinguished by the addition of extra parts for horns in F, a practical asset for musicians seeking adapted playing options. A prime reference for deepening Beethoven's repertoire and approaching a work that is both historical and very lively to perform.
Technical specifications
| Musical Genre | Classical | ||
| Composer | Ludwig van Beethoven | Edition | Urtext |
Questions frequently asked
Is this Beethoven score an Urtext edition?
The edition offered is an Urtext edition, with a carefully established musical text.
Which pieces are included in this edition?
The publication brings together Parthia op. 103 and Rondo WoO 25. The latter was originally conceived as a final movement.
Are there adapted parts for horns in F?
Additional parts for horns in F are included. This provision offers a playing option dedicated to horn players using this key.
What is the context of Beethoven's Parthia op. 103?
In 1793, Joseph Haydn cited this work to the Elector Prince of Bonn to illustrate Beethoven's progress. The prince then believed he already knew part of it, suggesting a reworking of an earlier composition. The score thus testifies to the writing of the young Ludwig van Beethoven.
For which ensemble and genre is this score intended?
The reference is intended for a wind octet, as indicated by its title. The repertoire belongs to the classical genre.
