Henle Verlag Moz - Three Movements For Piano Trio - Violon Violoncelle Piano
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Henle Verlag
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Summary of This Score
Mozart often left behind unfinished works, and some of these fragments reveal inspiration of exceptional value. This score highlights three fragments of Piano Trio, composed as isolated movements at different times in his life. For a long time, these pages circulated in a misleading form: a first posthumous edition had gathered them as if they were a "new" Piano Trio, supposedly unknown.
Thus, the set was recorded under the number K. 442 in the Köchel catalogue. To make these fragments playable, Mozart's friend, the abbé Maximilian Stadler, proposed completions considered stylistically accurate but relatively cautious creatively. The musical interest of the current edition lies in the fact that it does not limit itself to this tradition: the Henle-Urtext edition also presents the particularly appreciated completions by Robert D. Levin, offering a more developed and very convincing alternative for performance.
Result: you have ideal material to compare completion solutions, refine interpretation, and enrich chamber music work between piano, violin, and cello. A score as stimulating for the stage as for study, where each editorial choice sheds different light on Mozart's thinking.
Technical specifications
| Musical Genre | Classical | ||
| Composer | Wolfgang Amadeus Mozart | Instrumentation | piano trio (piano, violin, cello) |
| Arranger | Maximilian Stadler; Robert D. Levin (completions) | Genre | classical score |
| Edition | Henle-Urtext | ||
Questions frequently asked
What is the instrumentation of this Mozart score?
The indicated instrumentation is the piano trio: piano, violin, and cello.
Do these movements correspond to Trio K. 442?
The collection brings together three fragments of piano trio composed at different periods of Mozart's life. Their grouping was catalogued under the number K. 442 in the Köchel catalogue.
What completions are offered for the unfinished fragments?
Two completion proposals are presented in the Henle-Urtext edition. Maximilian Stadler's completions appear alongside those of Robert D. Levin. The latter option is described as more developed.
Is this an Urtext edition?
The announced edition is a Henle-Urtext. It allows working on the three Mozart fragments with the completions attributed to Stadler and Levin.
For what type of musical practice is this score designed?
These pages are intended for chamber music work for piano, violin, and cello. The presence of two completion solutions allows comparing different interpretative approaches.



