Henle Verlag Rieding Oskar - Concerto Op.35 - Violon & Piano
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Summary of This Score
The name Oskar Rieding rarely appears in major concert programs, but his works remain essential in violin classes. His small concert pieces, written at the beginning of the 20th century for students, have retained a privileged place in curricula, auditions, and exams because they combine immediate musicality with clear technical objectives.
With the Concerto in B minor op. 35 for violin, you have a repertoire particularly suited for beginners: the writing, limited to the first position, allows focus on the essentials (intonation, tone, articulation, and phrasing) without multiplying fingerboard difficulties. It is an ideal score for structuring practice, developing listening between soloist and accompaniment, and approaching the "concerto" form in an accessible way.
This edition offers a rigorous and reliable approach thanks to an Urtext score established from the first edition. Editor Annette Oppermann relies on solid sources, while the preface by Marua Zupan?i? provides enlightening context on this still too little-known composer, highlighting the lasting pedagogical value of his violin works.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Oskar Rieding | Instrumentation | violin and piano |
| Edition | Annette Oppermann (Editor), Urtext edition | Genre | educational score, violin concerto |
Questions frequently asked
Is Rieding's Concerto op. 35 suitable for a beginner violinist?
The writing of the Concerto in B minor op. 35 is limited to first position, making it intended for beginner practice. Intonation, tone, articulation, and phrasing are the main technical aspects addressed.
What is the instrumentation of this Rieding score?
The score is designed for solo violin and piano accompaniment.
Does the Rieding op. 35 concerto remain in first position?
Yes, the violin part remains in first position. This limitation allows the study of the concerto form without shifting difficulties.
Is this edition an Urtext?
The edition is an Urtext based on the first edition. The text was edited by Annette Oppermann. A preface by Marua Zupančič provides context on Oskar Rieding and the educational scope of his works.
For what practice contexts should the Henle Verlag Rieding Oskar Concerto Op.35 be chosen?
This pedagogical score can be used in a violin curriculum, for auditions or examinations. The dialogue between violin and piano encourages the development of ensemble listening skills.
