Henle Verlag Schubert Franz - Sur Le Fleuve D 943 - Ch Cor & Piano
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Summary of This Score
Franz Schubert
Auf dem Strom D 943 for voice, horn, and piano
Through its writing for voice, horn, and piano, "Auf dem Strom" ("On the River", D 943) ranks among Schubert's most unique lieder, naturally evoking the spirit of "Der Hirt auf dem Felsen" with obbligato instrument. Composed in 1828 at the request of horn player Rudolf Lewy, the work was premiered in Vienna on March 26, 1828 by Schubert himself at the piano, alongside Lewy and tenor Ludwig Tietze.
This edition emphasizes practicality in rehearsal and concert settings: the score offers a comfortable format for the singer, while providing the horn with a dual reading option (horn in E and a transposed version in F). A particularly relevant choice for voice-horn duos wishing to work on a demanding classical score, rich in cantabile and instrumental dialogue, where the horn extends the vocal line and intensifies the romantic color of the whole.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Franz Schubert | Instrumentation | Voice, horn, and piano |
| Edition | Urtext | Genre | Lied / classical vocal score |
Questions frequently asked
What instrumentation is used for Schubert's Auf dem Strom D 943?
This score is written for voice, horn, and piano, according to the instrumentation of the lied D 943.
Is the horn part available in F?
Two versions of the horn part are offered: one in E and a transposed version in F.
Is this edition of Sur le fleuve D 943 an Urtext edition?
The indicated edition is of the Urtext type. It concerns Franz Schubert's classical vocal lied. The work reference is D 943.
For what context was this voice-horn-piano score composed?
The work was composed in 1828 at the request of horn player Rudolf Lewy. It premiered in Vienna on March 26, 1828, with Schubert at the piano, Rudolf Lewy on horn, and tenor Ludwig Tietze.
Is the format suitable for a singer during rehearsal?
The layout is designed in a format pleasant for the singer, suitable for rehearsal and concert settings.
