Henle Verlag Schumann R. - Adagio Und Allegro Fur Horn (op.70) - Version Violoncelle
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Summary of This Score
Adagio and Allegro for Piano and Horn, op. 70
Version for Cello
Klavierauszug mit Solostimme - St - piano and cello
Fingering: Hess, Sebastian, Schilde, Klaus
Editor: Herttrich, Ernst
This edition offers a balanced musical reading between lyricism and virtuosity, with an expressive Adagio highlighting tone quality, bow control, and phrase shaping, followed by a more lively Allegro demanding rhythmic precision, articulation, and momentum. Originally written for a wind instrument, the writing here takes on a particularly vocal color on the cello, ideal for developing legato, position shifts, and thematic projection.
The piano + solo part format facilitates rehearsal and lesson work: the pianist has a structured and dynamic accompaniment, while the cellist benefits from a dedicated, clear, and practical part. The added fingerings provide concrete references to stabilize technical passages, choose coherent fingering solutions, and save time during preparation, without replacing your own musical judgment. A relevant score for approaching the Romantic style with rigor, whether preparing for the stage or progressing through conservatory studies.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Instrumentation | piano and cello | ||
Questions frequently asked
Is this edition of Adagio and Allegro op. 70 properly arranged for cello?
Robert Schumann's work, originally written for horn and piano, is offered here in a version for cello with piano accompaniment.
Does the score include a separate cello part?
The format contains a Klavierauszug, that is the piano score with solo part. A dedicated cello part is thus provided for working with the pianist.
What fingerings are indicated in this Henle edition?
Fingerings by Sebastian Hess and Klaus Schilde are incorporated into the part. These indications serve as guides for position shifts and technical passages.
What are the musical challenges of Adagio and Allegro op. 70 on the cello?
The Adagio emphasizes legato, bow control, and phrasing. The Allegro demands more rhythmic precision, articulation, and momentum. The writing also highlights the projection of the theme on the cello.
Who edited this cello version of Schumann op. 70?
The edition was prepared by Ernst Herttrich.
