Henle Verlag Vivaldi A. - Concerto For Flautino (Recorder/Flute) And Orchestra C Major Op. 44 11 Rv 443
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Summary of This Sheet Music
This sheet music presents Antonio Vivaldi's Concerto for Flautino (Recorder/Flute) and Orchestra C major op. 44, 11 RV 443 in an adaptation designed for flute and piano. It captures the incisive and bright spirit of Vivaldi's concerto, with a solo writing that highlights the agility, articulation, and musicality of the flutist, supported by a piano accompaniment allowing work on balance and style.
Designed both for study and performance, this version facilitates the preparation of characteristic passages (fast runs, contrasts, phrasing) while preserving the harmonic clarity and rhythmic relief of the work. The indication Flautino (Recorder/Flute) recalls the concerto's origin and opens the door to various interpretative choices depending on the available instrument, while remaining perfectly relevant for a flutist wishing to enrich their Baroque repertoire.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Vivaldi, Antonio | Instrumentation | Flute and Piano |
| Edition | Wiese, Henrik (musicological editor) | ||
Questions frequently asked
Is this edition of Concerto RV 443 intended for transverse flute?
The instrumentation indicated is flute and piano, in an arrangement of the Concerto for Flautino RV 443 in C major.
Can this Vivaldi concerto be played on the recorder?
The mention "Flautino (Recorder/Flute)" refers to the origin of the work and allows for an interpretation on either recorder or flute.
What accompaniment is included in this sheet music?
The solo part is supported by a piano accompaniment. This reduction makes it possible to prepare the work without an orchestra. It preserves the harmonic clarity and rhythmic detail of the concerto.
What musical level is addressed in the Concerto for Flautino op. 44 no. 11?
The writing includes fast passages, contrasts, and phrasing characteristic of Vivaldi's baroque style, requiring agility and articulation.
Who prepared the musicological edition of this score?
The musicological edition is attributed to Henrik Wiese.
