Ibanez TOD20FMN Signature Tim Henson Black Burst Fade Low Gloss
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Ibanez
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A Signature That Reinvents the Electric Nylon-String in the Ibanez Universe
With the TOD20FMN, Ibanez and Tim Henson deliver a guitar that fully embraces the aesthetics and demands of contemporary playing: clear attack, clean extended chords, fast passages, and nylon musicality without the constraints of a traditional classical guitar. A deliberate nod to the brand's heritage, the "Tree of Death" inlay reinterprets the spirit of Ibanez's historic motifs with a darker, more contemporary identity, perfectly matching the project's image.Who Is the TOD20FMN For? A Modern Nylon for Stage, Studio, and Advanced Techniques
This guitar is primarily aimed at intermediate to expert guitarists seeking a comfortable nylon feel combined with performance-oriented ergonomics. Its nyatoh neck with a C profile, set-in neck joint, and access to upper frets make it an ideal candidate for lead playing, sophisticated voicings, modern fingerstyle, ultra-precise arpeggios, and a wide range of styles from neo-instrumental to clean pop/rock, fusion, and cinematic textures.The detail that makes all the difference for many musicians: the combination of a 46 mm nut width (narrower than a classical guitar) and a 400 mm radius promotes quick handling, more natural barre chords, and a more "electric" feel in the hand while maintaining the typical articulation of nylon strings.
A Warm, Precise, and Highly Usable Nylon Sound When Amplified
The tonal personality of the TOD20FMN arises from a balance between luthiery and electronics. The flamed maple top provides a more bright response, with a clear attack contour and excellent definition, while the sapele back and sides reinforce a warm midrange and roundness that avoids any harshness. The rosewood bridge helps maintain an organic feel, and the bone nut and bone saddle contribute to a clear transmission of vibrations, beneficial for sustain and precision.The modified FR hollow body is reinforced by a fan bracing, a typical choice for classical guitars: this contributes to a natural "nylon" tone while keeping a controlled response. The absence of a soundhole on the top limits unwanted acoustic feedback, helping maintain a stable sound on stage. Additionally, the side sound port improves monitoring for the player: it enhances the "acoustic" projection nearby, making playing more inspiring even at low volume.
On the amplification side, the Fishman S-Core aims for a faithful and balanced reproduction of the nylon character, with a usable sound image in DI, on acoustic amps, or PA systems. The Ibanez AEQ210TF preamp adds essential efficiency in real situations: volume, bass and treble EQ, built-in tuner, and a phase switch to help tame certain resonances depending on the stage and system used.
Recommended Compatible Accessories
To stay as close as possible to the original balance, opt for a set of D'Addario XTC45 strings (the specified reference for this model), with gauges .028/.032/.040/.028W/.035W/.044W. Also plan for a 9V battery (x1) to power the preamp, as well as a 6.35 mm (1/4") jack cable for connection to your amplification system.Technical specifications
| Cutaway | Yes | Nbrs of frets | 22 |
| Strings | nylon | Neck Type | Glued |
| Nbr of strings | 6 | Electroacoustic | No |
| Top | Maple | Color | Black |
| Back&Sides | Sapelli | Finishing | Satin |
| Fingerboard | Rosewood | Hardware | Gold |
| Type | electric nylon-string guitar / hollow body | Number of strings | 6 |
| Format | modified FR hollow (FRH) | Profile | C shape |
| Back | sapele | Joint type | set-in |
| Sides | sapele | Joint position | 16th fret |
| Bracing | fan bracing (for FRH) | Wood | nyatoh |
| Rosette | none | Thickness (1st fret) | 0.83" / 21 mm |
| Sound port | side sound port | Thickness (7th fret) | 0.87" / 22 mm |
| Binding | pearloid binding | Inlays | Tree of Death |
| Finish | satin polyurethane (Low Gloss) - Black Burst Fade | Number of frets | 22 |
| Body depth | 1.97" / 50.0 mm | Scale length | 25.5" / 648 mm |
| Body width | 14.17" / 359.9 mm | Radius | 15.75" / 400 mm |
| Body length | 17.32" / 439.9 mm | Nut width | 1.81" / 46 mm |
| Total length | 38.98" / 990 mm | Width at fingerboard end | 2.28" / 58 mm (at 14th fret) |
Questions frequently asked
Which strings should be used on the Ibanez TOD20FMN Tim Henson?
The recommended set is the D’Addario XTC45, with gauges .028/.032/.040/.028W/.035W/.044W. This guitar is designed for six nylon strings.
Can it be connected to an amplifier or PA system?
Amplification relies on a Fishman S-Core pickup and an Ibanez AEQ210TF preamp. Volume, bass, and treble controls are integrated, along with a tuner and phase switch. A 9 V battery and a 6.35 mm jack cable are required.
Is the neck similar to an electric guitar?
With a nut width of 46 mm, a 400 mm radius, and a 648 mm scale length, the feel features dimensions oriented towards modern playing styles.
Does the TOD20FMN limit feedback on stage?
Thanks to its modified FR hollow body without a soundhole on the top, this guitar reduces unwanted acoustic feedback. The phase switch also helps to control certain resonances depending on the amplification system.
What are the body dimensions of this nylon-string guitar?
The FRH shape has a depth of 50 mm, a width of 359.9 mm, and a length of 439.9 mm. The side soundport enhances the acoustic response perceived during playing.



