IMC Handoshkin I. - Concerto - Alto & Piano
Estimated Shipping Widget will be displayed here!
Couldn't load pickup availability
Information
Information
Manufacturer Information
IMC
https://www.internationalmusicco.com
info@internationalmusicco.com
------------------------
Safety manager:
MDS
Email:
Address:
Summary of This Score
With Concerto, Ivan Handoshkin offers an emblematic page of the classical aesthetic, where the writing emphasizes clarity of lines, balance of phrases, and highlighting of musical ideas. The "concerto" format is particularly interesting for working on the construction of the discourse: alternation of more lyrical passages and more virtuosic sections, management of dynamics, articulation, and musical phrasing.
This edition prepared by Joseph Vieland is intended for musicians seeking a readable and coherent working score, whether for personal study, teaching, or preparation for public performance. It allows approaching the work with particular attention to understanding the style, contrasts, and execution precision.
Whether you wish to enrich your classical music repertoire or have a reliable resource to deepen the interpretation of a concerto, this score provides a solid foundation. It naturally fits into a process of technical and musical progression, encouraging careful attention to intonation, articulation, and phrasing, while developing an expressive and structured presence.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Handoshkin, Ivan | Edition | Vieland, Joseph |
Questions frequently asked
Is the Concerto score by Handoshkin written for viola and piano?
The title indicates instrumentation for viola and piano, featuring a solo viola part accompanied by piano.
What is the musical style of Ivan Handoshkin's Concerto for viola?
The work belongs to the classical repertoire. The writing emphasizes clarity of lines and balance of phrases.
Is this edition of the Viola Concerto suitable for technical practice?
The score allows for work on intonation, articulation, and phrasing. Lyrical passages alternate with more virtuosic sections, supporting contrast and dynamic practice.
Who prepared the edition of this Handoshkin score?
The edition was prepared by Joseph Vieland. It is presented as a clear working score for study, teaching, or preparation for public performance.
What interpretive elements can be worked on in this concerto for viola and piano?
The construction of the musical discourse is a central focus, especially through breathing and dynamic control. Attention is also given to execution precision and expressive presence.
