Jobert Boesmans - Chambres D'à CôTé - Ensemble
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Jobert
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Hexamusic
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Summary of This Score
When one overhears music through a wall or window, it sometimes seems more beautiful than when listened to directly: distant, incomplete, it arrives in fragments and allows the mind to extend it. It is precisely this phenomenon of "fragmented" listening that Philippe Boesmans stages in this piece, playing with ellipsis, suggestion, and the memory of sound.
The writing favors contrasts of layers and colors: bursts emerge, withdraw, then reappear under a different light, as if the listener changes room or listening point. The variety of instrumentation allows exploration of a wide spectrum of timbres, from precise attacks to more diaphanous resonances, and to build a dramaturgy of the moment where every detail counts.
This score is intended for ensembles seeking an expressive, short, and structured contemporary work, offering multiple challenges in ensemble coordination (balances, transitions, superpositions) and a refined work on dynamics. To situate the sonic universe, a discographic reference is provided: 1 CD Cypres (CYP4636), "Chambres d'-ct ", Ensemble Musiques Nouvelles, Jean-Paul Dessy (conductor).
Technical specifications
| Musical Genre | Classical | ||
| Composer | Philippe Boesmans | Instrumentation | picc(+fl).1(+flA,flB).1(+ca).1(+clB).1(+Cbn) / 2.1.1.0 / 3 perc. / hp / pno / cel / 2.2.1.1 |
Questions frequently asked
What instrumentation is required for Chambres d'à côté by Philippe Boesmans?
The specified instrumentation includes woodwinds with piccolo, flutes, oboes, English horn, clarinets, and contrabassoon, as well as 2 horns, 1 trumpet, and 1 trombone. Three percussionists, a harp, a piano, a celesta, and strings 2.2.1.1 are also included.
Which discographic reference is associated with this score?
A reference on CD Cypres CYP4636 is indicated, performed by the Ensemble Musiques Nouvelles under the direction of Jean-Paul Dessy.
What is the musical language of Chambres d'à côté?
The work is based on fragmented listening, inspired by music perceived through a wall or window. Sound bursts appear and then recede, following a play of ellipses and sound memory. The contrasts of layers and colors structure the writing.
Do the woodwind parts include doubled instruments?
The woodwinds include a piccolo doubling flute, a flute doubling alto flute and bass flute, as well as an oboe doubling English horn. The clarinet also doubles bass clarinet, and the bassoon doubles contrabassoon.
What aspects of repetition does this piece require from the ensemble?
The score emphasizes balance, transitions, and superimpositions. The work on dynamics is central in this contemporary ensemble piece.
