Jobert Delafuente - Trafic - 2 Percussions et Électronique
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Manufacturer Information
Jobert
https://www.henry-lemoine.com/fr/nous-contacter
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Hexamusic
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Summary of This Score
This score by Benjamin de La Fuente falls within the field of contemporary percussion, with an approach designed to explore rhythmic material, timbre, and execution precision. It serves as an excellent resource for percussionists wishing to expand their musical vocabulary beyond purely technical reflexes, working on attack clarity, regularity, dynamics, and musical time management.
In an educational context, this score naturally fits into a path oriented toward "current music / creation": it encourages attentive reading, anticipation of transitions, and true rigor in ensemble coordination. In instrumental practice, it helps consolidate fundamentals (pulse, subdivision, articulation) while opening the door to a finer interpretation, where color and intention are as important as rhythmic accuracy.
Whether you are in a conservatory, a music school, or working independently, this contemporary percussion score supports structuring your study, refining your listening, and developing a solid interpretation. A relevant choice for any musician seeking a demanding, current, and stimulating score to integrate into a practice program or concert repertoire.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Benjamin de La Fuente | Genre | contemporary score |
| Instrumentation | percussion | ||
Questions frequently asked
What instrumentation is planned in Trafic by Benjamin de La Fuente?
The work is written for 2 percussionists and electronics, as indicated by its title, with instrumentation classified within the percussion family.
Is Trafic suitable for contemporary percussion practice?
The score is presented as a contemporary work focused on rhythmic material, timbre, and execution precision. It allows for work on attacks, dynamics, and consistency.
What reading level does this two-percussion part require?
The writing requires attentive reading and anticipation of transitions. The work focuses on pulse, subdivision, and articulation. Managing musical time is also among the indicated study areas.
Can this score be used in a conservatory setting?
Its approach integrates into a conservatory or music school curriculum oriented toward contemporary music and creation.
What is the musical genre of the Trafic score?
The indicated musical genre is classical, while the work is referenced as a contemporary score composed by Benjamin de La Fuente.
