Jobert Guerinel - Ophélie De Rimbaud - Soprano Colorature Clarinette Et Cor Ad Lib.
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Jobert
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Summary of This Score
This contemporary score by Lucien Guerinel brings together a coloratura soprano, a clarinet, and an ad lib horn in a chamber music formation that is both demanding and expressive. The choice of coloratura soprano emphasizes agility, flexibility of line, and subtlety of nuances, while the clarinet offers a palette of colors ranging from singing legato to more assertive attacks. The addition of the horn, left "ad lib," opens an additional dimension of depth and breadth without making the ensemble size mandatory.
Designed for performers wishing to explore modern repertoire, this work encourages a true dialogue between voice and instruments: dynamic balance, complementary phrasing, breath management, and intonation accuracy are at the heart of the work. It is a relevant score both for concert projects and pedagogical work in conservatories, particularly within the framework of a contemporary music workshop or a vocal-instrumental ensemble. Published in January 1995, it stands as a reference rooted in the contemporary aesthetics of the late 20th century while remaining current through its instrumentation and interpretive possibilities.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Lucien Guerinel | Genre | contemporary |
| Instrumentation | coloratura soprano, clarinet, and horn ad lib. | Year of publication | 1995 |
Questions frequently asked
What is the instrumentation of this score?
The score combines a coloratura soprano and a clarinet, with a horn indicated as ad lib. Therefore, the ensemble can be performed without a horn, in accordance with this indication.
Is the horn mandatory in Ophélie by Rimbaud?
The indication 'horn ad lib.' means that the horn part is not mandatory in the ensemble.
What vocal and instrumental level is required?
The writing for coloratura soprano demands vocal agility, flexibility of line, and subtlety in dynamics. The clarinet participates in a dialogue ranging from legato to more pronounced attacks. Dynamic balances, breathing, and intonation are part of the ensemble work.
Is this work suitable for a conservatory project?
This contemporary score is suitable for a contemporary music workshop or a vocal-instrumental ensemble in a conservatory. It can also be programmed in a concert project.
Who composed this piece and from what year does it date?
Lucien Guerinel is the composer of this work, published in 1995.
