Jobert Kourliandski - Broken Memory - Violon Violoncelle Et Piano
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Jobert
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Hexamusic
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Summary of This Score
This score highlights writing for piano trio (violin, cello, and piano), an essential formation in chamber music. The interplay of timbres is central: the violin line can unfold with clarity, the cello anchors the discourse and brings depth and warmth, while the piano supports, articulates, and colors the whole.
An important reference accompanies this work: its premiere took place on 10/16/2005 in Saint Petersburg (Russia), at the Shemiakin Foundation Concert Hall, performed by the Moscow Contemporary Music Ensemble. This information sheds light on the musical purpose of the piece and its place within a concert context, which can guide interpretation, program selection, or audition preparation.
For musicians, it is a relevant resource to develop trio cohesion: balance of sound layers, precision of attacks, shared breathing, and phrasing work between strings and keyboard. Whether you are a pianist accompanist, violinist, or cellist, this score naturally fits into a chamber music path focused on listening and collective sound construction.
Technical specifications
| Musical Genre | Classical | ||
| Artist | Moscow Contemporary Music Ensemble | Instrumentation | violin, cello, and piano |
Questions frequently asked
What is the instrumentation of Broken Memory?
The score is written for a piano trio: violin, cello, and piano.
Is this score suitable for a chamber music trio?
The writing is intended for the formation violin, cello, and piano. The work notably focuses on balance between sound layers and the precision of attacks among the three performers.
Is Broken Memory a classical music work?
The musical genre indicated for this score is classical. The piece belongs to a concert context associated with contemporary music.
When and where was Broken Memory premiered?
The premiere took place on 16/10/2005 in Saint Petersburg, Russia. It was held at the Shemiakin Foundation Concert Hall. The performance was by the Moscow Contemporary Music Ensemble.
What ensemble aspects can be worked on with this work?
This score allows one to approach common breathing and phrasing between the strings and the keyboard. The violin line, piano support, and cello grounding structure the trio's discourse.
