Jobert Ohana - Pièces Clav (2) Wamba.conga - Clavecin
Estimated Shipping Widget will be displayed here!
Couldn't load pickup availability
Information
Information
Manufacturer Information
Jobert
https://www.henry-lemoine.com/fr/nous-contacter
info@henry-lemoine.com
------------------------
Safety manager:
Hexamusic
Email: hexamusic@wanadoo.fr
Address:
Summary of This Score
This harpsichord score by Maurice Ohana fully embraces contemporary aesthetics, offering a keyboard approach centered on sonic richness and clarity of gesture. The writing, conceived for the instrument, calls for careful attention to rhythmic placement, indicated dynamic contrasts, and articulation clarity, in order to bring out the musical discourse's relief.
With its 13 pages, this work provides a relevant resource for approaching contemporary music on the harpsichord without getting lost in an overly extensive volume. It allows for practicing reading, managing musical breaths, and balancing precision with expressiveness, while developing a refined listening to resonances and texture effects suggested by the composer.
Whether to diversify a concert program, build an educational pathway around modern repertoire, or simply discover Ohana's unique universe, this score offers dense, stimulating, and decidedly current musical material, where the harpsichord's personality remains at the heart of the interpretation.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Maurice Ohana | Pages | 13 |
| Instrumentation | Harpsichord | Year of publication | 1984 |
| Genre | Contemporary score | ||
Questions frequently asked
For which instrument is the score Pièces Clav (2) Wamba.conga written?
The indicated instrumentation is harpsichord, in a writing style designed for its resonances and texture effects.
How many pages does this work by Maurice Ohana have?
The score has 13 pages.
What is the musical style of this harpsichord score?
The work belongs to contemporary music, while being classified in the classical genre. The writing emphasizes rhythmic precision and articulations. Dynamic contrasts contribute to the expressiveness of the piece.
In what year was this Maurice Ohana score published?
The publication is dated 1984, which places this piece within the contemporary harpsichord repertoire.
Is this score suitable for working on the modern harpsichord repertoire?
Its 13-page length allows an exploration of Maurice Ohana's universe in a focused volume. The work notably focuses on reading, musical phrasing, and clarity of articulations.



