Jobert Penard - Pièces Éparses Pour Piano - Piano
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Jobert
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Summary of This Score
With Pièces éparses Op.32, Olivier Penard offers a sensitive journey where each title acts as a trigger for the imagination. The performer is invited to shape the color and breathing of these miniatures, written without tonal indication but rooted in a "very pleasant" post-tonal aesthetic, rich in nuances and contrasts. Far from being merely pedagogical material, these pages aim for expressivity and the stage: brief but well-constructed pieces that "deserve the concert."
The collection explores a wide palette of writing styles and moods: singing nostalgia (Mémoire d'une enfance), lightness and rapid passages (Esquisse d'été), fragmentation across the entire keyboard (Aquarelle-solitude), rhythmic energy and meter changes (Danse imaginaire), a lullaby that fades "like a music box" (Berceuse), a flow of sixteenth notes both voluptuous and evanescent (Barcarolle), culminating in a tender and reminiscent conclusion (Nocturne pour J). It also includes Amertume, Son sommeil dénudé, and Passe-temps, forming a coherent set that faithfully reflects the composer's style.
Contents: Mémoire d'une enfance - Esquisse d'été - Amertume - Aquarelle-solitude - Danse imaginaire - Son sommeil dénudé - Berceuse - Passe-temps - Barcarolle - Nocturne pour J.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Olivier Penard | Genre | Contemporary score |
| Publisher | Éditions Jobert | Difficulty | 2nd and 3rd cycle |
| Instrumentation | Piano | ||
Questions frequently asked
What level is required to play the Pièces éparses Op.32 by Olivier Penard?
The collection is intended for pianists at the intermediate and advanced levels (2nd and 3rd cycles), featuring writing that notably includes rapid passages, sixteenth notes, and time signature changes.
Which pieces are included in this piano collection?
The edition gathers ten miniatures: Mémoire d'une enfance, Esquisse d'été, Amertume, Aquarelle-solitude, Danse imaginaire, Son sommeil dénudé, Berceuse, Passe-temps, Barcarolle, and Nocturne pour J.
What is the musical aesthetic of this contemporary score?
The composition is set within a post-tonal aesthetic, without any key signature. The pieces explore climatic contrasts, between lyrical nostalgia, rhythmic energy, and a music box-like fading. Color and phrasing depend on the performer's interpretation.
Are the pieces suitable for concert performance?
These ten short pieces are crafted for expressiveness and the stage, and the presentation indicates that they are deserving of concert performance.
What instrumentation and edition correspond to this collection?
This score is written for solo piano and is published by Éditions Jobert, under opus number 32.



