Jobert Wyschnegradsky Ivan - 3 Pieces Op.38 - Piano
Estimated Shipping Widget will be displayed here!
Couldn't load pickup availability
Information
Information
Manufacturer Information
Jobert
https://www.henry-lemoine.com/fr/nous-contacter
info@henry-lemoine.com
------------------------
Safety manager:
Hexamusic
Email: hexamusic@wanadoo.fr
Address:
Summary of This Score
Prelude - Elevation - Solitude brings together three piano pieces by Ivan Wyschnegradsky, compiled under Opus 38. While the composer is mainly recognized for his works in micro-intervals (from a third to a twelfth of a tone), this collection highlights a rarer facet of his catalog: pieces written within the semitone framework, thus fully playable on a traditional piano.
The three pieces were grouped under the same opus despite having distinct trajectories. The dates associated with each correspond to the composer's last revisions (1957, 1964, and 1959), often far from the initial composition period. This notion of "reworking," dear to Wyschnegradsky, sheds light on the process of rereading and refinement that permeates his entire aesthetic: densification of discourse, precision of dynamic contours, and pursuit of organic continuity.
In the Prelude, a leitmotif of repeated notes, frequently carried by an accelerando and a crescendo, appears as an expressive signature. The composer linked its origin to a reminiscence from 1917, associated with the slogan "Revoloutzia" chanted in the streets of Petrograd. Interpretatively, this motif calls for a carefully constructed build-up of tension, where articulation, rhythmic regularity, and the progression of sound weight become determining parameters.
Between Elevation and Solitude, the score offers a contrasting journey: tense lines, suspended atmospheres, and a sense of musical time that stretches or contracts. This collection will appeal to pianists curious about contemporary music, post-tonal language, and writing with strong poetic charge, while remaining anchored in a "classical" pianistic reading of the keyboard.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Ivan Wyschnegradsky | Instrumentation | Piano |
Questions frequently asked
Is the Op.38 score playable on a traditional piano?
The writing of Opus 38 remains within the semitone framework and can be played on a traditional piano.
Which pieces are included in this piano collection?
The collection brings together three pieces: Prelude, Elevation, and Solitude. They are compiled under Ivan Wyschnegradsky's Opus 38.
What are the dates corresponding to the pieces of Opus 38?
The dates given correspond to the composer's latest revisions: 1957, 1964, and 1959. They may differ from the original composition. These revisions reflect a refinement of the musical discourse.
What are the interpretative challenges of the Prelude?
In the Prelude, a leitmotif of repeated notes is frequently combined with an accelerando and a crescendo. The interpretation requires a regular articulation and a controlled progression of sound intensity.
Is Jobert Wyschnegradsky Ivan - 3 Pieces Op.38 suitable for discovering Wyschnegradsky's work?
Although Wyschnegradsky is known for his micro-interval works, this score does not require a keyboard adapted for third-tones or twelfth-tones. It offers an approach to his language within a classical and post-tonal pianistic writing.
