Klowra Gnash Distortion

A Modern Distortion in the Klowra "Bloom Infinity" Range

The Gnash fits into the Klowra universe with a decidedly contemporary approach: instead of exactly replicating a classic, it combines two analog gain stages and "shaping" modules (Wavefolder, Mid-Cut) designed to cover several saturation families. This results in a pedal capable of moving from a gritty drive to a denser distortion, then to more edgy fuzz textures, with a "multi-gain" pedal logic tailored for modern pedalboards.

Who Is the Gnash For, and Which Styles Does It Excel In?

The KBS-11 Gnash targets guitarists seeking a versatile distortion pedal capable of handling both modern rhythmics and expressive leads without multiplying pedals. It naturally fits into rock, hard rock, metal, alternative genres, but also in more garage or stoner contexts thanks to the fuzz side of the Wavefolder.
In live settings, the dual channel helps switch from solid crunch to high gain, or from precise to more ripped tones, with minimal pedalboard footprint. In studio, the series/parallel routing and Mid-Cut facilitate finding the right place in the mix, especially when doubling guitars.

Controls, Modules, and Routing Possibilities

The Gnash combines two channels and ergonomics designed for quick sculpting. The control set offers Dist, Treble, and Master for one channel, and Gain and Tone for the other: enough to finely adjust attack, saturation amount, and bright/dark balance depending on your amp and pickups.
The three modules form the pedal's DNA: the series/parallel selector radically changes the feel (stacking and compression in series, clarity and definition in parallel), the Mid-Cut allows for more scooped and aggressive sounds, and the Wavefolder opens the door to more complex harmonics, halfway between distortion and fuzz. Finally, the expression pedal input enables switching from one channel to the other either continuously or momentarily, handy for blending transitions during a riff or triggering a second gain character on a specific passage.

The Sound

At its core, the Gnash delivers a modern and articulate distortion, with good chord clarity when kept at reasonable settings, then a very convincing density when pushing the gain. The Mid-Cut helps achieve rhythms with a clear "scooped" character, while the series mode enhances thickness and sustain feel. The Wavefolder adds a wilder harmonic relief: ideal for biting leads, near-fuzz textures, and more abrasive attacks.
Regarding artists, as this pedal is relatively recent, it is mostly found in setups of musicians and enthusiasts of modern sounds rather than in well-documented historic rigs. Nevertheless, it remains designed as a workhorse distortion: effective, wide in palette, and highly adaptable depending on the guitar (single/double coils) and amp.

Technical specifications

Effects	Distortion	Type	sector
Technology	Analog & Digital	Use	electric guitar
Format	Pedal	Color	Purple
EQ	Tone

Effect pedal for electric guitar	distortion	Output	6.35mm Jack (mono)
Design	analog with digital control	Control input	6.35mm TRS Jack (expression pedal and/or external control depending on configuration)
Modes	6	Dimensions (mm)	55 x 125 x 69
Bypass	true bypass	Power supply	not included
Potentiometers	Dist, Treble, Master, Gain, Tone	Required power supply	9V DC (center negative)
Modules / switches	Series/Parallel, Mid-Cut, Wavefolder	Consumption	90 mA
Input	6.35mm Jack (mono)