Lâg Tramontane 218 Dreadnought Cutaway Electro
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Tramontane 218: a modern folk built around an iconic wood duo
In the Tramontane family, the 218 series highlights a highly sought-after combination in folk lutherie: spruce for response and projection, rosewood for breadth and depth of the spectrum. The LAG Tramontane T218DCE follows this recipe in an electro-acoustic dreadnought format designed to play "big," with a true acoustic volume reserve and a marked personality once plugged in. The cutaway clearly places this model in a modern approach: maintaining the power of a dreadnought while facilitating access to the upper frets, more natural for lead playing, melodic lines, and modern arrangements.
Another strong point of this position in the range is the integration of a complete STAGE LAG system. The idea is not just to add a pickup but to offer an electro-acoustic guitar ready for rehearsals, stage, and recording, with practical tools to manage equalization and common issues (feedback, resonances) encountered live.
An electro-acoustic for which guitarists and styles?
The Tramontane T218DCE targets intermediate to advanced guitarists who want an expressive folk guitar, capable of handling energetic rhythmic playing while remaining clear on arpeggios. The dreadnought body is particularly comfortable for strumming (pop, rock, folk, variety), with present basses that fill the space and naturally support vocals. In fingerstyle, the guitar maintains good articulation thanks to the solid spruce top, and the cutaway becomes a real asset as soon as you use positions beyond the 12th fret.
If you regularly play plugged in, the onboard electronics allow you to switch from a warm and round sound to a more precise and cutting tone, depending on the context (band, voice-guitar duo, percussion, etc.). It's a relevant choice for those who alternate between home playing, rehearsals, and performances without wanting to rely on complex external processing to get a usable sound.
Sound
The solid Engelmann spruce top gives the T218DCE a quick and nuanced response: the attack is clear, notes come out easily, and the guitar reacts delicately to right-hand variations. On arpeggios, you benefit from a clear separation between strings; on more powerful playing, the top maintains good sustain and keeps the definition needed for chords to remain readable.
The rosewood back and sides add a more "hi-fi" dimension to the acoustic sound: deeper lows, rich mids, extended highs, with a sense of space and naturally generous sustain. This character is especially appreciated for open accompaniments, enriched chords, and picking parts where a nice note length is sought.
Plugged in, the STAGE LAG electronics provide settings designed for live use. The 3-band EQ serves to quickly adapt the guitar to a PA system, acoustic amplifier, or audio interface, while the parametric mids facilitate adjusting the most sensitive range in a mix. The phase inversion and notch filter are two valuable tools to limit resonances and maintain control when volume rises, without sacrificing the body of the sound. The built-in tuner completes the package to stay autonomous on stage.
Recommended Compatible Accessories
To preserve the original feel and balance, opt for steel acoustic strings in Phosphor Bronze with a Light 12-53 gauge (ideally coated if you want longer durability), like the factory-installed set. A selection of plectrums (soft to medium for accompaniment, stiffer for attack) is also a simple and universal choice to exploit the full dynamics of this dreadnought.
Technical specifications
| Category | Steel String Shaped Body Electric-Acoustic | Nbrs of frets | 20 |
| Format | Dreadnought | Scale (mm) | 650 mm |
| Cutaway | Yes | Tuning pegs | Die cast, ratio 1:18 |
| Truss Rod | Double-action | Bridge | Brown Brankowood |
| Strings | Steel | Nut | Black graphite wedge / 72 mm & 43 mm |
| Nbr of strings | 6 | Electronics | STAGELAG (Volume, 3-band EQ, tuner phase switch, notch filter) |
| Top | Solid Engelmann Spruce | Original Strings | Coated Phosphore Bronze Light 12-53 |
| Back&Sides | Rosewood | Types of frets | Medium Silver Nickel |
| Neck | Khaya | Color | Natural |
| Radius | 350 mm | Colours | Bois naturel |
| Nut Width | 43 mm | Finishing | Glossy |
| Fingerboard | Brown BrankoWood | ||
| Back & sides | Rosewood | Fret type | Medium Silver Nickel |
| Finish | Glossy | Tuners | Oil bath, 1:18 ratio |
| Scale length | 25.59" / 650 mm | Nuts | Compensated black graphite / 2.83" / 72 mm & 1.69" / 43 mm |
| Number of frets | 20 | Number of strings | 6 |
Questions frequently asked
Is the Lâg Tramontane 218 Dreadnought Electro CW suitable for playing in a band?
The dreadnought body delivers prominent bass and enough volume headroom suited for pop, rock, or folk strumming. The solid Engelmann spruce top preserves a clear attack even during energetic playing.
What sound does rosewood contribute to this folk guitar?
The rosewood back and sides enhance the depth of the lows and the richness of the mids. The highs remain extended, with a generous sustain for full chords and fingerpicking.
What controls does the STAGE LAG system offer?
The STAGELAG electronics include a volume, a 3-band EQ, and a tuner. A phase switch and a notch filter help reduce feedback and resonances at high volume. Parametric mids allow easy tone adjustment for PA systems, acoustic amps, or audio interfaces.
Does the cutaway facilitate access to the high frets?
The cutaway eases access to positions beyond the 12th fret, while the 650 mm scale neck features 20 frets.
What strings should be installed on the Tramontane 218?
Phosphor Bronze Light 12-53 steel acoustic strings correspond to the original setup. The factory-installed set is coated to maintain its properties longer.



