Leduc 20 Exercises et Etudes sur les grandes liaisons,
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Leduc
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Summary of This Collection
This collection for the transverse flute, composed by Marcel Moyse, is aimed at flutists seeking serious and musical practice material within the classical repertoire. Designed as a companion for progression, it allows approaching instrumental practice with particular attention to regularity, listening, and gesture construction. By working through it over sessions, the student consolidates fundamentals while refining expression, with a clear goal: to gain mastery and confidence, regardless of context (lessons, conservatory, personal practice).
Marcel Moyse's signature reflects a demanding pedagogy always focused on music: rhythmic precision, stability of tone production, dynamic control, and sense of line are at the core of the approach. This collection naturally fits into a flute learning path, supporting the development of a homogeneous sound, clear articulation, and more convincing phrasing. Written in French, it is suitable for both regular study and targeted preparation, especially when one wishes to reinforce skills and clarify practice objectives.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Marcel Moyse | Language | French |
| Instrumentation | Transverse Flute | Pages | 52 |
| Genre | Classical | ||
Questions frequently asked
For which flute is the collection written?
The collection is intended for the Western concert flute.
How many pages does 20 Exercises and Studies on Legato Techniques contain?
The 52 pages gather practice material focused on legato techniques for the Western concert flute.
Are the instructions in this Marcel Moyse method in French?
The book is written in French. It is attributed to Marcel Moyse and is part of the classical repertoire. Its content emphasizes rhythmic precision, tone production, and phrasing.
Does this collection help in working on legato for flute?
The series of 20 exercises and studies targets legato playing. The practice also addresses gesture consistency, dynamic control, and tonal uniformity.
Is this book suitable for conservatory study?
Designed as a progression companion, it can support coursework at the conservatory or individual practice sessions. The description does not specify any particular instrumental level.



