Leduc CLARKE J. GAUTIER DE MARSEILLE P. FEDE I. - 3 SUITES DANS LE GOUT ANGLAIS - FLUTE A BEC ET BC
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Leduc
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Summary of This Score
This collection offers a journey through Baroque aesthetics via three complementary pieces, alternating dance movements and chamber writing. The set highlights the suite structure, the play of affetti, as well as a writing style that encourages careful attention to attacks, slurs, and phrase balance. The key of G minor, very expressive, enhances the singing quality and the relief of contrasts.
Pierre Boragno's revision provides a more comfortable reading framework for the musician, facilitating navigation within the score and securing daily interpretation. It is a relevant resource for working on rhythmic precision, cadence logic, and discourse continuity, while leaving room for musicality and stylistic personalization.
Revision by Pierre Boragno
- Clarke Jeremiah: Suite in G minor
- Pierre Gautier de Mardeille: Suite in G minor
- Innocenzo Fede: Sonata di camera
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Clarke Jeremiah; Pierre Gautier de Mardeille; Innocenzo Fede | Arranger | Pierre Boragno (revision) |
Questions frequently asked
Is this sheet music written for recorder with basso continuo?
The title indicates it is intended for recorder and BC, that is, with basso continuo.
Which works are included in this collection of 3 suites?
The volume gathers three pieces: a Suite in G minor by Jeremiah Clarke, a suite in G minor by Pierre Gautier de Mardeille, and the Sonata di camera by Innocenzo Fede. The writing belongs to the Baroque chamber music aesthetic.
What key is used in the suites?
The key of G minor is indicated for the Suite by Jeremiah Clarke and that by Pierre Gautier de Mardeille.
Who revised the edition?
The revision is signed by Pierre Boragno. This intervention facilitates navigation in the score and secures daily reading.
Which aspects of Baroque playing does this sheet music allow to work on?
The collection alternates dance movements and chamber writing. The work notably focuses on articulation and phrasing. Rhythmic precision, cadences, and continuity of the musical line have a central place.
