Leduc Open Sax Pour Saxophone Alto Seul
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Essential Information About This Collection
Essential Information About This Collection
- A stimulating journey for alto saxophone combining contemporary writing, sound poetry, and rhythmic energy.
- Accessibility designed for enjoyable progress: ideal from the 2nd year of alto saxophone study, while remaining musically rich.
- 9 composers with very contrasting universes: from jazz nods to electroacoustic landscapes, to broaden interpretative palette.
- A true artistic "laboratory": playing with sound, gesture, rubato, effects (vibrato, clapping ad lib), and dialogue with electronics.
Manufacturer Information
Leduc
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Summary of This Collection
OpenSax is aimed at all saxophonists curious to explore new directions without losing connection to current creation. Initiated by Claude Georgel (director of the Vent de Sax collection) on the occasion of the 17th World Saxophone Congress and Festival (July 2015), this collection brings together nine pieces entrusted to composers from very different backgrounds, with a clear intention: to offer a diversity of artistic and technical universes, guided by the joy of playing. The exploration is immediate and concrete: John Harle weaves, with "Yantra," an almost magical relationship between the soloist and sound design; Sophie Lacaze invites the young performer to become an oriental storyteller in "La Lune dans l'Eau"; Vincent-Raphaël Carinola immerses the instrumentalist in the dreamlike mechanics of "Montre Molle." Groove enthusiasts will appreciate the jazz echo in Claude Barthélémy's "Sonny's Groove," while Claude Georgel, with "Du Tac au Tac!," stages a witty world carried by very free rubato. On the delicate side, Annette Mengel's "Vol au Vent" evokes the fragility of a haiku, and Clara Olivares transforms "L'Envol" into an anthem to interpretative freedom, notably around vibrato colors. Finally, electroacoustics becomes a full partner in "Gamophone" (Philippe Geiss) and "Main gauche, Main droite et Clac" (Xavier Rosselle), to work on placement, listening, and the impact of musical gesture. Throughout these nine stages, the saxophonist develops expressivity, sense of style, and sonic imagination, while consolidating essential technical foundations.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Collective (Claude Barthélémy, Vincent-Raphaël Carinola, Philippe Geiss, Claude Georgel, John Harle, Sophie Lacaze, Annette Mengel, Clara Olivares, Xavier Rosselle) | Genre | Collection of contemporary pieces |
| Instrumentation | Solo alto saxophone (some pieces with electroacoustics / sound design, and clapping ad lib) | Difficulty | From the 2nd year of alto saxophone study |
| Collection | Vent de Sax | ||
Questions frequently asked
Is Open Sax suitable from the 2nd year of alto saxophone?
The collection is intended from the 2nd year of alto saxophone.
Which pieces from Open Sax use electroacoustics?
Some of the nine pieces involve electroacoustics or sound design. John Harle's "Yantra" explores dialogue with sound design. Philippe Geiss's "Gamophone" and Xavier Rosselle's "Main gauche, Main droite et Clac" also integrate this dimension.
Which composers are featured in this collection?
The publication gathers nine pieces. The composers are Claude Barthélémy, Vincent-Raphaël Carinola, Philippe Geiss, Claude Georgel, John Harle, Sophie Lacaze, Annette Mengel, Clara Olivares, and Xavier Rosselle. It belongs to the Vent de Sax collection.
Is there a piece with jazz influence in the collection?
Claude Barthélémy's "Sonny's groove" offers an echo of jazz and groove.
Does the collection include clapping?
In Xavier Rosselle's "Main gauche, Main droite et Clac," clapping is indicated ad lib, with attention to placement, listening, and musical gesture.



