Lemoine Aboulker Isabelle - Voix et Rythme
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Essential Information About This Method
Essential Information About This Method
- Clear and Motivating Progression: work on binary then ternary rhythm through spoken exercises, designed to establish solid foundations.
- A Lively Approach: texts from moralists, writers, and fabulists (from the 17th to the 20th century) to rhythmically enhance learning and enrich articulation.
- Fun and Effective Pedagogy: comic-style bubbles and practical advice to progress without monotony.
- Immediate Musical Application: 20 rhythmic prosodies for one and two voices, in various styles (from Rameau to Ravel, contemporary and jazz).
Manufacturer Information
Lemoine
https://www.henry-lemoine.com/fr/nous-contacter
info@henry-lemoine.com
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Hexamusic
Email: hexamusic@wanadoo.fr
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Summary of This Method
Designed as a comprehensive musical training book, this resource is divided into two complementary parts. The first offers a progressive study of rhythm, first in binary then ternary, through spoken exercises. The goal is to develop confident rhythmic reading, a steady pulse, and better precision in execution, while naturally working on diction and accentuation. The chosen texts, taken from moralists, writers, and fabulists from the 17th to the 20th century, bring meaning to phrasing and avoid the repetitive aspect sometimes found in purely technical workbooks. Comic-style bubbles, combined with the author's advice, guide the student step by step and encourage regular, effective, and enjoyable practice.
The second part emphasizes musicality through 20 rhythmic prosodies for one and two voices. These short pieces, written in contrasting aesthetics, allow the transition from rhythmic gesture to a more "musical" practice: listening to the other voice, coordination, sense of style, and interpretative flexibility. With repertoire ranging from Rameau to Ravel, including contemporary and jazz colors, this collection becomes an excellent tool to vary sessions, strengthen rhythmic precision, and develop autonomy, alone or in pairs.
Technical specifications
| Theme | Music theory | ||
| Instrumentation | All instruments (spoken rhythmic work and prosodies for one and two voices) | Language | French |
| Genre | Musical training, rhythm method | ||
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Questions frequently asked
Is the Voice and Rhythm method suitable for all instruments?
The work is designed for all instruments, based on spoken rhythmic exercises and one- or two-voice prosodies.
How are binary and ternary rhythms approached?
The first part offers a progression from binary to ternary through spoken exercises. The work focuses on rhythmic reading, pulse stability, and precision of timing. Texts by authors from the 17th to the 20th century support diction and accentuation.
How many two-voice pieces does this collection contain?
The second part includes 20 rhythmic prosodies, written for one and two voices.
Can this rhythm method be practiced alone?
The spoken exercises allow for regular individual practice. The two-voice prosodies add a listening and coordination exercise when approached in pairs.
What musical styles are represented in the prosodies?
The 20 prosodies draw on contrasting aesthetics, from Rameau to Ravel, with contemporary and jazz colors.
