Lemoine Arriagada - Chants/danses Cordillère - Flûte et Piano
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Lemoine
https://www.henry-lemoine.com/fr/nous-contacter
info@henry-lemoine.com
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Hexamusic
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Summary of This Score
This score brings together a selection of emblematic dances and songs from South America, arranged for flute and piano by Sergio Arriagada. It features a variety of styles and characters, ranging from the expressive softness of "Ojos Azules" to the rhythmic energy of "Cullahuada", including more contemplative atmospheres such as "Lamento indio". Each piece offers the opportunity to work on musicality, breathing, and melodic line on the flute, while developing listening skills and balance with the piano.
The content spans several traditions: Peruvian huaynos, Chilean tonadas, Bolivian airs, and Argentine colors, with titles such as "A los orillas del Titicaca", "Huayno del sol", "El Chihuanco", and "Yaravi et Vidala". Within a learning context, this collection is particularly relevant for enriching the chamber music repertoire from the early years, approaching characteristic rhythms, and refining articulation, without losing sight of the expressiveness inherent to these popular melodies. An excellent resource to diversify a program, explore new colors, and build a lively interpretation, balancing tradition and score writing.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | ARRIAGADA Sergio | Difficulty | 1 |
| Instrumentation | flute and piano | Pages | 23 + 7 |
| Genre | classical | Year of Publication | 1993 |
Questions frequently asked
What flute level is required for Chants et danses de la Cordillère?
Classified as difficulty level 1, this collection is intended for the early years of flute learning.
Is the piano part included?
The indicated instrumentation is flute and piano. The announced pagination is 23 + 7 pages, corresponding to the collection’s material and its separate part.
Which South American tunes are included in this collection?
The selection notably includes "Ojos Azules," "Cullahuada," "Lamento indio," "A los orillas del Titicaca," and "Huayno del sol." Titles like "El Chihuanco" and "Yaravi et Vidala" are also part of the program.
What musical styles are featured in this flute and piano score?
The repertoire covers Peruvian huaynos, Chilean tonadas, Bolivian airs, and Argentine colors. The pieces alternate between rhythmic characters and more contemplative atmospheres.
Does this score allow for chamber music practice?
The writing for flute and piano develops listening between partners and balance of the two parts. The work also focuses on breathing, articulation, and the flute’s melodic line. The edition was published in 1993.
