Lemoine Bach - Suite No.3 - Saxophone Solo
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Lemoine
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Hexamusic
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Summary of This Score
This score offers a transcription for solo saxophone of a work by Johann Sebastian Bach, arranged by Jean-Marie Londeix, a major figure in classical saxophone. Designed to highlight clarity of expression and balance of lines, this adaptation allows the Baroque aesthetic to be approached on a modern instrument, while maintaining the precision and readability characteristic of Bach's writing.
Throughout the work, the saxophonist develops essential skills: breath control over structured phrases, clarity of attacks, tempo consistency, and care of intonation, especially in exposed passages. The difficulty level 3 makes it a relevant resource for students who are already independent, wishing to consolidate their technique while gaining musical maturity. An ideal score to expand one's classical repertoire, prepare for an audition, or add a stylistic piece to a varied program.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Johann Sebastian Bach | Difficulty | 3 |
| Arranger | Jean-Marie Londeix | Pages | 10 |
| Instrumentation | Solo saxophone | Year of Publication | 1969 |
| Genre | Classical score | ||
Questions frequently asked
Which saxophone is intended for this Bach transcription?
The score is written for solo saxophone, with no accompaniment indicated.
What is the difficulty level of Bach's Suite No.3 arranged by Londeix?
The announced difficulty level is 3. This edition is aimed at saxophonists who are already autonomous, focusing on breath control, articulation, and intonation.
Is the Lemoine Bach - Suite No.3 score suitable for a saxophone audition?
Its writing for solo saxophone allows it to be included in an audition program. The repertoire addresses Baroque style through a work by Johann Sebastian Bach, transcribed by Jean-Marie Londeix.
How many pages does this solo saxophone score contain?
The edition contains 10 pages.
Who arranged this Suite No.3 by Bach?
The arrangement is by Jean-Marie Londeix. Published in 1969, this transcription maintains a writing centered on clarity of lines and regularity of tempo. The exposed passages require particular care for intonation.
