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Canatchizy - Dancing In The Wind - Double Choeur

Canatchizy - Dancing In The Wind - Double Choeur

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Summary of This Score

This contemporary score by Edith Canat de Chizy arises from a constraint as stimulating as it is rare: writing for a massive choir, consisting of 122 singers, without losing either the clarity of the lines or the precision of the musical gesture. To meet this challenge, the composer adopts a double choir writing style, which she stages in several ways: responsorial dialogues, layering of sound planes, alternations that sculpt space and energize the texture. The listening experience is thus constantly guided between collective momentum and contrasts, serving a finely constructed vocal dramaturgy.

True to her preference for the English language, Edith Canat de Chizy relies on texts by the Irish poet William Butler Yeats. Two poems structure the two parts of the work: "To a Child Dancing in the Wind" and "The Dancing Days Are Gone." The whole concludes with a famous epitaph: "Cast a cold eye on life, on death. Horseman, pass by!" The theme of dance naturally extends to that of movement, a constant concern of the composer, while also connecting to the very idea of singing and vocal endurance suggested by the text. Intended for large-scale choral work, this score is a significant choice to enrich a contemporary choral repertoire, both in concert and commemorative projects.

Technical specifications

Musical GenreClassicalPublicationSheet music
ComposerCANAT de CHIZY EdithLanguageEnglish
Instrumentationdouble choirPages46
GenrecontemporaryYear of Publication2007

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