Lemoine Canatchizy - Dancing In The Wind - Double Choeur
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Lemoine
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Summary of This Score
This contemporary score by Edith Canat de Chizy arises from a constraint as stimulating as it is rare: writing for a massive choir, consisting of 122 singers, without losing either the clarity of the lines or the precision of the musical gesture. To meet this challenge, the composer adopts a double choir writing style, which she stages in several ways: responsorial dialogues, layering of sound planes, alternations that sculpt space and energize the texture. The listening experience is thus constantly guided between collective momentum and contrasts, serving a finely constructed vocal dramaturgy.
True to her preference for the English language, Edith Canat de Chizy relies on texts by the Irish poet William Butler Yeats. Two poems structure the two parts of the work: "To a Child Dancing in the Wind" and "The Dancing Days Are Gone." The whole concludes with a famous epitaph: "Cast a cold eye on life, on death. Horseman, pass by!" The theme of dance naturally extends to that of movement, a constant concern of the composer, while also connecting to the very idea of singing and vocal endurance suggested by the text. Intended for large-scale choral work, this score is a significant choice to enrich a contemporary choral repertoire, both in concert and commemorative projects.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | CANAT de CHIZY Edith | Language | English |
| Instrumentation | double choir | Pages | 46 |
| Genre | contemporary | Year of Publication | 2007 |
Questions frequently asked
What choral training is required for Dancing In The Wind?
The score is written for double choir, with two vocal ensembles that can engage in dialogue, alternate, and overlap. The sheet music is designed for a large choir of 122 singers.
Are the lyrics in the score in English?
The vocal parts use English and are based on poems by William Butler Yeats. Both sections include "To a child dancing in the wind" and "The dancing days are gone."
What is the musical style of this work by Edith Canat de Chizy?
This score belongs to the contemporary classical repertoire. The writing features spatial contrasts between the two choirs and vocal dramaturgy based on movement.
How many pages does the score have?
The edition includes 46 pages.
Is Dancing In The Wind suitable for a choral concert project?
The design for a large ensemble allows for use in concerts or commemorative projects. Published in 2007, the work ends with the epitaph "Cast a cold eye on life, on death. Horseman, pass by!" The vocal line resilience and the choir responses structure its collective interpretation.



