Lemoine CHEPELOV P. / MENUT B. - LA DICTEE EN MUSIQUE VOL.5 + CD - MILIEU DU 2EME CYCLE
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Lemoine
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Summary of This Book
This collection by Pierre Chépélov and Benoît Menut starts from a simple observation: the term "good musician" is not limited to instrumental practice, theoretical knowledge, or stage experience. It is often associated with an exceptional quality of listening, perceptible in the way one plays, hears, comments on, and thinks about music. The work focuses precisely on this essential point: developing listening as a central skill for the musician.Throughout the journey, listening is considered in different forms, as one approaches several levels of reading: selective or global listening, analytical, structural, or formal listening. This plurality allows for better identification of what is heard, understanding how a piece is organized, and gaining precision in perceiving timbres, dynamics, textures, and articulations. The goal is not only to "recognize" but to expand hearing and enrich musical understanding.
Far from an overly easy pedagogy, this book combines engaging content with a genuine demand for progression. The richness of the musical proposals aims to define and work on the parameters of sound, so that the student deepens their ear, consolidates their reference points, and develops more conscious listening. In practice, this approach nourishes both musical training and work in choir, small ensembles, or conducting, and also accompanies the musician towards a more intense listening pleasure, both at concerts and at home.
Technical specifications
| Theme | Musical dictation | ||
| Composer | Pierre Chépélov; Benoît Menut | Language | French |
| Genre | musical training | ||
Questions frequently asked
What level is La dictée en musique volume 5 aimed at?
Volume 5 is intended for the middle of the 2nd cycle of musical training.
Is the CD included with this collection of musical dictations?
A CD is indicated in the title of the work, with volume 5.
Which listening skills are developed in this volume?
The collection addresses selective and global listening. Analytical, structural, and formal listening are also part of the approaches presented. The work focuses in particular on timbres, dynamics, textures, and articulations.
Who wrote La dictée en musique vol. 5 + CD?
The work is authored by Pierre Chépélov and Benoît Menut.
Is this musical dictation book suitable for ensemble work?
Its content is presented as useful for musical training, choir work, small ensembles, and conducting.



