Lemoine Flament - Dansons L'opéra Vol.1 - Piano
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Lemoine
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Summary of This Book
In this volume, Natalia Flament brings together "voice, melody, movement" by offering a personal version of opera arias designed for the daily routine of a dance class. While preserving the musical reading, she adapts these themes to a clear exercise structure to facilitate learning, memorization, and interpretation. The goal is twofold: to provide a coherent musical support for accompaniment and to allow students to relive the emotional content of a melody, then express it through dance. By observing how sung words influence the quality of movement, breathing, and intentions, the teacher can refine the group's musicality and guide expressiveness with precision.
The excerpts are organized according to the most common progression of a class: a Preparatory Exercise ("Hindustani Song"), then a preparatory exercise with port de bras ("Prince Igor"), before addressing the fundamentals of the barre and their nuances: Pliés ("Chorus of the Slaves," "José's Aria"), slow and moderate Dégagés (including "Germont's Aria," "Cherubino's Aria," "Barcarolle from The Tales of Hoffmann"), Battements jetés and small battements en l'air ("Gypsies' Chorus"), Taquetés with small battements en cloche ("Rossini's Dance"), Ronds de jambe à terre ("Teneste la promessa," "Violetta's Aria"), Fondus and fondus with ronds de jambe en l'air ("Mariza's Czardas," "Carmen's Habanera," "Medora's Aria"), finishing with Moderate Frappés ("Don Carlo's Ballata"). An ideal choice to enrich a classical dance accompaniment repertoire with immediately evocative lyrical themes.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Arranger | Natalia Flament | Genre | Classical sheet music (opera arias for dance classes) |
| Language | French | ||
Questions frequently asked
Is this sheet music suitable for accompanying a classical ballet class on piano?
The selection is designed for the daily routine of a dance class, featuring opera arias adapted to a clear exercise structure. The themes support learning, memorization, and interpretation of movement.
Which barre exercises are included in Dansons L'opéra Vol.1?
The arrangement starts with a preparatory exercise on "Chanson hindoue," followed by port de bras work on "Prince Igor." Plies, degages, battements jetes, taquetes, rond de jambe on the floor, fondu, and moderate frappes then structure the volume. Small battements in the air and rond de jambe en l'air are also included in certain sequences.
Which opera arias are used in the collection?
The arias include notably "Choeur des esclaves," "Air de José," "Barcarolle des contes d'Hoffmann," "Habanera de Carmen," and "Ballata de Don Carlo."
Do Natalia Flament's arrangements retain the character of the opera melodies?
The arrangement preserves a musical reading of the themes while adapting them to the exercise structure. The sung text serves as a reference to work on breathing, intention, and quality of movement.
Is the sheet music in French?
The volume is presented in French. It is a classical genre sheet music collection arranged by Natalia Flament.



