Lemoine FOURNIER MARIE-HELENE - FUSAIN FUIT LA GOMME - SAXOPHONE BARYTON PIANO
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Lemoine
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Summary of This Score
This contemporary score for baritone saxophone and piano is intended for performers wishing to explore a modern language, both rhythmically precise and rich in tonal nuances. The dialogue between the baritone and piano highlights the depth of the low register, the flexibility of articulations, and the contrast between sound masses and more transparent passages. From an interpretative standpoint, it serves as an excellent tool to work on mutual listening, intonation within dense textures, as well as the management of dynamics and character transitions.
Designed for a duo formation, this work naturally fits in auditions, exams, class concerts, or programming focused on creation and the contemporary saxophone repertoire. It also allows addressing essential reflexes for today's musician: precision of attacks, tempo stability, mastery of piano/saxophone balance, and construction of an expressive discourse on materials sometimes freer than in classical repertoire. A score to consider if you wish to expand your chamber music library with a current, idiomatic, and stimulating piece for both partners.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | FOURNIER Marie-Hélène | Genre | contemporary |
| Instrumentation | baritone saxophone and piano | Pages | 14 |
| Collection | Delangle Claude | Year of publication | 2001 |
Questions frequently asked
What is the instrumentation of Fusain fuit la gomme?
The score is written for baritone saxophone and piano.
Is this baritone saxophone score suitable for the contemporary repertoire?
The work belongs to the contemporary genre, while being classified in the classical domain. It notably explores contrasts in sound masses and more transparent passages.
How many pages does Fusain fuit la gomme have?
The edition contains 14 pages. It was published in 2001.
What ensemble aspects can be worked on with this piece for baritone and piano?
The duo requires mutual listening and intonation within dense textures. Managing dynamics, tempo stability, and balance between piano and saxophone are among the indicated areas of focus. Attacks and character transitions are also addressed.
In which series is this score by Marie-Hélène Fournier published?
This edition belongs to the Delangle Claude collection. The composer listed is Marie-Hélène Fournier.
