Lemoine Hoarau - Initiation BOSSA-nova - Guitare
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Lemoine
https://www.henry-lemoine.com/fr/nous-contacter
info@henry-lemoine.com
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Hexamusic
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Summary of This Method
This method invites you to discover Bossa Nova as it was built in Rio de Janeiro in the 1950s, at the crossroads of samba rhythms and the refined harmonies of jazz. The content places the style in its context, notably mentioning the impact of Orfeu Negroand foundational figures such as Antonio Carlos Jobim and João Gilberto, while reminding that "bossas are sambas": the same rhythmic cells are found there, played in a more repetitive, softer, and "cooler" way.
The emphasis is placed on the role of the Brazilian guitar in harmony with the percussion. You will learn to consider the right hand as a true rhythmic section: the thumb holds the pulse echoing the surdo, while the fingers reproduce patterns inspired by the tamborim or agogôs. The method also explains how the pandeiro and ganzá "weave" a carpet of accented sixteenth notes, essential to give your accompaniment that typical swing.
For effective practice, the CD allows you to work on each piece over time: first with the full ensemble (theme, rhythm guitar, bass, drums), then without the theme, and finally without the rhythm guitar. You can thus repeat your part several times, refine your placement, and finish accompanied only by bass and percussion, as in a real playing situation.
Technical specifications
| Publication | Methods | ||
| Composer | HOARAU Jean-Christophe | Pages | 19 |
| Instrumentation | guitar | Year of Publication | 2005 |
| Genre | pop - jazz | ||
Questions frequently asked
What does this bossa nova guitar method cover?
The method addresses bossa nova born in Rio de Janeiro in the 1950s, derived from samba rhythms and jazz harmonies. It notably references Antonio Carlos Jobim, João Gilberto, and the impact of Orfeu Negro.
Does the CD allow playing without the accompaniment guitar?
The CD offers a version with the ensemble, then a version without the main theme. A third configuration removes the accompaniment guitar. Practice can thus continue with bass and percussion.
How is the right hand technique approached?
The right-hand technique combines the thumb with the pulse of the surdo and the fingers with patterns inspired by the tamborim or agogôs. The roles of the pandeiro and ganzá are also explained through accented sixteenth notes.
How many pages does Jean-Christophe Hoarau’s book have?
Jean-Christophe Hoarau’s book has 19 pages and was published in 2005.
Is the Lemoine Hoarau Initiation BOSSA-nova method suitable for accompaniment playing?
The pieces are developed with an accompaniment guitar, bass, and drums. Emphasis is placed on the blend between the Brazilian guitar and the percussion.



