Lemoine Iturralde - Dixie For Saxes - 4 Saxophones
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Manufacturer Information
Lemoine
https://www.henry-lemoine.com/fr/nous-contacter
info@henry-lemoine.com
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Hexamusic
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Summary of This Score
This score for 4 saxophones is intended for ensembles wishing to explore a repertoire at the crossroads of variety and jazz, emphasizing energy, phrasing, and collective musicality. It serves as an excellent tool to develop mutual listening between sections, rhythmic precision, and dynamic control, all essential for a convincing ensemble interpretation.
Working in a saxophone quartet naturally highlights balance (distribution of sound layers), intonation (chords, thirds, unisons), and articulation (common attacks, accents, detachés). In a variety-jazz language, these aspects become even more crucial: the pulse must remain steady, dynamics must breathe, and the style benefits from being supported by a homogeneous sound and clear intention.
Thanks to the universe of Pedro Iturralde, this score allows the approach of typical jazz reflexes (flexibility of phrasing, sense of groove, precision of entrances and endings) while staying within a framework suited to collective playing. It is a relevant choice for conservatory ensembles, ensemble music workshops, and quartets seeking effective pieces for the stage, with an immediately recognizable sonic identity.
Technical specifications
| Musical Genre | French Variety | Publication | Sheet music |
| Composer | ITURRALDE Pedro | Genre | variety - jazz |
| Instrumentation | 4 saxophones | Year of Publication | 2003 |
Questions frequently asked
What is the instrumentation of Dixie For Saxes?
The indicated instrumentation is for 4 saxophones, without specifying individual registers in the provided information.
Is Dixie For Saxes a jazz score?
The musical style is between pop and jazz. The phrasing, groove, and precision of collective entries are highlighted areas of focus.
When was this Pedro Iturralde score published?
Published in 2003, this score is attributed to composer Pedro Iturralde. It is categorized in the pop-jazz genre. The work is referenced as a score for 4 saxophones.
Is this score suitable for a conservatory saxophone quartet?
Conservatory ensembles and chamber music workshops are explicitly mentioned among the appropriate contexts. The writing for 4 saxophones allows working on balance between sections and the tuning of chords.
What technical aspects can be worked on with this piece?
Collective work particularly focuses on unisons, common attacks, and dynamics within a 4-saxophone ensemble.



