Lemoine Jarrell - Assonance Iii Cl.Basse/Vlc/Po - Clarinette Basse Violoncelle Et Piano
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Essential Information About This Score
Essential Information About This Score
- A key work in the "Assonances" cycle: a composition conceived as a "sketchbook," focused on a single idea and developed with great freedom.
- For a demanding and modern trio: a timbral dialogue between bass clarinet, cello, and piano, at the heart of Michael Jarrell's aesthetic.
- An ideal ground for sound research: work on resonances, attacks, densities, and colors, with a fine attention to sound perception.
- Practical format for study: indicated pagination 14 pages + 2 x 5 pages, suitable for rehearsal work and concert preparation.
Manufacturer Information
Lemoine
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Summary of This Score
Assonance IIIis part of the ongoing Assonancescycle, where the notion of "assonance" (in the sense of proximity of timbre and vowel sound, rather than rhyme) becomes a metaphor for musical writing. Through this piece, Michael Jarrell develops a sonic concept based on relationship, distance, and transformation, relying on recurring materials that can be "re-examined," revisited, varied, and colored.
Written for bass clarinet, cello, and piano, the work demands a particularly precise chamber listening: balance of layers, management of resonances, and handoffs between registers and textures. The piano is not merely a harmonic support but a partner in percussion, resonance, and projection, while the bass clarinet and cello explore their friction zones (breath, grain, attack, continuity of sound), up to the assumed limits of the instrument and the writing.
This contemporary music score is suitable for performers and ensembles wishing to work on a demanding and finely crafted contemporary repertoire, where form advances through successive focalizations, color variations, and recomposition of material. A relevant reference for deepening the universe of Jarrell, between cycle, self-analysis, and instrumental research.
Technical specifications
| Musical Genre | Classical | ||
| Composer | Michael Jarrell | Pages | 14 + 2x5 |
| Instrumentation | bass clarinet, cello, and piano | Year of publication | 1989 |
| Genre | contemporary | ||
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Questions frequently asked
What instrumentation is required for Michael Jarrell's Assonance III?
The score is written for bass clarinet, cello, and piano.
Is Assonance III a contemporary music work?
Classified in the contemporary genre, this work by Michael Jarrell was published in 1989. The writing is based on timbral relationships and the transformation of recurring materials.
Does the piano have an important role in Assonance III?
In this ensemble, the piano acts as a partner for percussion, resonance, and projection. Its role goes beyond simple harmonic support. The balance with the bass clarinet and cello is an integral part of the writing.
How many pages does the Assonance III score contain?
The edition contains 14 pages, supplemented by two parts of 5 pages each.
What ensemble level is targeted by this score for bass clarinet, cello, and piano?
The work is intended for performers and ensembles wishing to approach a demanding contemporary repertoire. The passages between registers, textures, and resonances require precise chamber listening.
