Lemoine Labrousse/despax - Formation Mus. Chanteurs Vol.3
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Manufacturer Information
Lemoine
https://www.henry-lemoine.com/fr/nous-contacter
info@henry-lemoine.com
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Safety manager:
Hexamusic
Email: hexamusic@wanadoo.fr
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Summary of This Method
These music training courses are specifically aimed at singers and vocal ensembles, with a pedagogy that constantly links solfège to the actual practice of singing. The content is based on a varied repertoire, chosen to accompany each new concept: rhythmic reading, melodic landmarks, inner listening, and understanding of structures. The goal is to make learning concrete and immediately transferable both in rehearsal and in concert situations.
The method highlights in-depth work on rhythmic prosody, essential for achieving coherent phrasing and intelligible diction, while consolidating tempo precision. It also addresses diction and intonation with demands adapted to the collective: listening to sections, adjusting intervals, balancing vowels, and clarifying consonants. The inclusion of exercises in different languages enriches musicality, sharpens the ear, and helps develop pronunciation reflexes in service of the sung text.
Improvisation complements this approach by encouraging responsiveness, creativity, and musical confidence, whether to explore rhythmic motifs, vary a line, or strengthen the understanding of modes and harmonic colors. Finally, this new volume leans more towards contemporary music, allowing for an expanded stylistic range and work on more current compositions, while consolidating the fundamentals of music training for singers.
Technical specifications
| Theme | Music theory | ||
| Instrumentation | voice (singer class) | Language | multilingual |
| Genre | music training | ||
Questions frequently asked
Is this music training method suitable for a class of singers?
Designed for voice in a class of singers, this method links music theory to the collective practice of singing.
Which areas are covered in volume 3?
The content addresses rhythmic reading, melodic landmarks, and inner listening. Rhythmic prosody work helps connect tempo, phrasing, and diction. Collective intonation, vowel balance, and consonant clarity are also among the focal points developed.
Does the Lemoine Labrousse/Despax Formation Mus. Chanteurs Vol.3 cover contemporary music?
This third volume is more oriented towards contemporary music and its current notations, while reinforcing the fundamentals of music training.
Are there diction exercises in multiple languages?
Exercises in different languages are included to work on pronunciation and ear training in service of the sung text. The announced language for the method is multilingual.
Is improvisation included in this method for singers?
Improvisation allows exploration of rhythmic patterns, variation of a line, and strengthens understanding of modes as well as harmonic colors. This approach develops musical responsiveness within the framework of singing.
