Lemoine Leguay - Et Puis Et Puis Encore ? - Orgue
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Lemoine
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info@henry-lemoine.com
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Hexamusic
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Summary of This Score
This score by Jean-Pierre Leguay offers a contemporary organ piece structured in five complementary stages: Choeur à choeur, Double I, Tiento, Double II, and Molto lento. Each ends with a calibrated breath followed by a double bar, clearly marking its function as a link within a continuum. The performer may choose to play the entire sequence or only certain stages, grouped according to a list of predefined arrangements, each time ensuring direction and a sense of progression.
When two stages follow each other as in the original order, the end of the first requires respecting the indicated breath proportion to maintain the temporal scale conceived by the composer. In case of discontinuity (non-consecutive linking), the nature of the transition becomes freer, left to the organist's discretion. Note that Choeur à choeur, Tiento, and Molto lento can also be played independently, making this score relevant both for concert performance and for program work in separate pieces.
The instrumental writing aims at accessibility to different types of organs: one or two manuals, not exceeding C5, without using the pedalboard. The registration possibilities are specified by stage: Choeur à choeur can be played on two manuals (or on one with registration changes), the two "Double" sections on one manual (or two coupled), and Tiento on one manual with divided stops (or on two). An important writing detail concerns Tiento: the left hand does not exceed B2, allowing the participation of cornets descending to C.
Finally, the notes emphasize essential stylistic points: the exact duration of a chord before a rest, the execution of trills, mordents, and groups of double or triple sixteenth notes without initial preparation or final slowing down, as well as the alteration rule valid for the entire measure (with some precautionary accidentals added). All these elements make this score a demanding and musically very instructive support to refine precision, breathing, and discourse flow.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Jean-Pierre Leguay | Genre | Contemporary score (music for organ) |
| Instrumentation | Organ (1 or 2 manuals, without pedalboard, range up to C5, with or without short octave) | Language | French |
Questions frequently asked
Does this sheet music require a pedalboard?
This sheet music is written for one or two manuals, without the use of a pedalboard, with a range not exceeding C5.
Can certain parts be played separately in Et Puis Et Puis Encore?
The work consists of five sections: Choir to choir, Double I, Tiento, Double II, and Molto lento. Choir to choir, Tiento, and Molto lento can be performed independently. Predefined arrangements also allow grouping some sections.
Is the sheet music suitable for an organ with a short octave?
The instrumentation allows performance with or without a short octave. In Tiento, the left hand does not go beyond B2, which permits the use of cornets descending to C.
What performance indications are given?
The notation requires precise adherence to the duration of chords before rests. Trills, embellishments, and groups of double or triple sixteenth notes are executed without an initial beat or slowing at the end.
What is the language and style of this Jean-Pierre Leguay sheet music?
The sheet music is written in French and belongs to contemporary organ music. Each section ends with a calibrated breath followed by a double bar.
