Lemoine Lejet - De Lumière et De Cieux ... - Harpe
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Lemoine
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Hexamusic
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Summary of This Score
Designed for solo harp and dedicated to Constance Luzzati, this work by Edith Lejet arises from a fascination with the sonic possibilities of the instrument and the performer's playing. The composer explores a sound material centered on resonance: sounds extend, colorize, and build a rich musical space, reminiscent of landscapes of light and depth. The idea of painting, air, and perspective runs through the piece, as if the harp becomes a source of color.
The title "Of Light and Blazing Skies" is anchored in a fragment from Les Fleurs du Mal, providing a concrete reference for the listener's imagination. Against a shimmering, moving, and undulating background, recurring gestures appear, intermittently return, and intersect throughout the discourse. These motifs progressively transform, generating increasing agitation that leads to a final intensification evoking blazing. Praised for its quality of writing and musical interest, the piece was premiered in January 2011 at the Auditorium of the Strasbourg Museum by Constance Luzzati.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Edith Lejet | Genre | contemporary score, repertoire for solo harp |
| Artist | Constance Luzzati (dedicatee) | Difficulty | DEM level (conservatory) |
| Instrumentation | solo harp | ||
Questions frequently asked
What level is required to play De lumière et de cieux embrasés?
The sheet music is indicated for a DEM conservatory level, corresponding to an advanced harp performance.
Is this work written for solo harp?
The announced instrumentation is solo harp. No other instruments are mentioned in the score.
Who composed this harp score?
The composition is by Édith Lejet. The work is dedicated to harpist Constance Luzzati, who premiered it in January 2011 at the Strasbourg Museum Auditorium.
What is the musical style of this piece by Édith Lejet?
This score belongs to contemporary classical music for solo harp. The writing emphasizes resonance, with recurring motifs that transform until a final intensification.
Does the title De lumière et de cieux embrasés refer to a text?
The title is based on a fragment from Les Fleurs du Mal. The suggested imagery combines a sparkling and undulating soundscape with landscapes of light and depth.
