Lemoine Levinas - Lenore - Récitant et Orchestre
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Lemoine
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Hexamusic
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Summary of This Score
This score is set within a clearly documented premiere context: July 25, 2013, in Paris, as part of Paris Quartier d'été, at the Église Saint Eustache. These details are not mere trivia: they guide the musical interpretation and provide concrete reference points for both performer and teacher. Knowing the date and location of the first performance helps situate the work within a specific aesthetic, era, and sound environment.
The mention of Ensemble Le Balcon and Maxime Pascal (conductor) enhances the documentary value of this edition. A specialized ensemble and an identified conductor often indicate interpretative demands: balance management, rhythmic precision, attention to dynamics, and texture development. For the musician, these elements can also serve as a starting point for building a coherent musical intention, relying on the spirit of the premiere.
Finally, the indication of the venue (Saint Eustache) suggests a particular relationship to space: resonance, depth, and projection. Whether you are working on this score in rehearsal, class, or concert preparation, these reference points allow you to approach the work with a more informed perspective, integrating both the artistic dimension and the context of the first performance.
Technical specifications
| Musical Genre | Classical | ||
| Artist | Ensemble Le Balcon; Maxime Pascal (conductor) | ||
Questions frequently asked
What is the instrumentation planned for Lenore?
The ensemble indicated in the title combines a narrator and an orchestra.
When and where was the work premiered?
The premiere took place on 25/07/2013 in Paris, at the Église Saint-Eustache. It was part of the Paris Quartier d’été festival.
Is Lenore a classical music score?
Classified within the classical genre, this score belongs to that repertoire.
Who conducted at the premiere?
The Ensemble Le Balcon is mentioned for the premiere, under the direction of Maxime Pascal. These references document the performers associated with the first performance.
Does the venue of the premiere affect the interpretative approach?
The premiere at the Église Saint-Eustache suggests careful attention to resonance and projection. The description links this setting to the depth of the space. These elements can guide musical preparation.



