Lemoine Mantovani - Un Mois D'octobre - Basson et Piano
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Lemoine
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Hexamusic
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Summary of This Score
This score is part of a contemporary creation approach, with its first performance given on October 11, 2001 in Rouen during the Festival Octobre en Normandie. Originally performed by Pascal Gallois on bassoon and Jay Gottlieb on piano, it highlights the subtle balance between breath, articulation, and colors of the bassoon, and the harmonic and rhythmic palette of the piano. The combination of these two instruments opens a very broad expressive field, particularly appreciated in chamber music, both for concerts and for duo musical work.
Commissioned by the Festival Octobre en Normandie, this work was conceived for professional performance contexts while remaining relevant for musicians seeking repertoire pieces to program. It is especially suitable for bassoonists wishing to develop projection, attack precision, and phrase continuity in a close dialogue with the piano. From the pianist's perspective, the writing naturally integrates into ensemble playing, with attention to breathing, balance, and clarity of sound layers. In rehearsal as well as on stage, this score provides a solid working foundation to refine mutual listening, ensemble coordination, and musicality, and to find a coherent interpretation around a work stemming from a recognized creation.
Technical specifications
| Musical Genre | Classical | ||
| Artists | Pascal Gallois, Jay Gottlieb | Instrumentation | bassoon and piano |
Questions frequently asked
What instrumentation is this sheet music written for?
The sheet music is written for bassoon and piano, in the classical genre.
Is Un Mois D'octobre suitable for chamber music work?
The writing is based on a close dialogue between the bassoon and the piano. It allows working on mutual listening and ensemble coordination as a duo.
Was this work created as part of a festival?
The premiere took place on October 11, 2001, in Rouen during the Festival Octobre en Normandie. The sheet music was commissioned by this festival. Pascal Gallois played the bassoon part and Jay Gottlieb the piano part at this premiere.
What technical aspects can the bassoon work on with this piece?
The bassoon playing requires projection, precision of attacks, and continuity of phrasing in the interaction with the piano.
What work is required from the pianist in Un Mois D'octobre?
The piano part pays attention to breath control, ensemble balance, and clarity of the sound layers.



