Lemoine My-Lejon Christine - Violon Alto Et Violoncelle
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Lemoine
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Hexamusic
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Summary of This Score
Designed for a string trio (violin, viola, cello), this score is part of a pedagogical approach focused on chamber music. At this "end of 1st cycle" level, the goal is to reinforce fundamentals while discovering the demands of collective playing: maintaining one's part steadily, breathing together, managing entrances and cut-offs, and building a shared musicality. Trio work also encourages active listening between sections, essential for adjusting intonation and balancing sound layers (melody, accompaniment, counter-melody).
The score + parts format provides real comfort during rehearsals: a conductor's score to follow the overall structure, and separate parts allowing each musician to focus on their line, bowing, and cues. With a concise pagination, this resource is suitable both for classroom use (sight-reading, ensemble setup, rhythmic work) and for performance goals (recital, end-of-cycle evaluation, small class concert). Published by Lemoine, this edition naturally fits into a pedagogical library oriented towards strings and ensemble playing.
Technical specifications
| Musical Genre | Classical | ||
| Edition | Lemoine | Difficulty | end of 1st cycle |
| Instrumentation | violin, viola, and cello | Pages | 4 + 3 x 2 |
| Genre | Classical | Year of publication | 2012 |
Questions frequently asked
For which ensemble is this score written?
This edition is designed for a trio consisting of violin, viola, and cello.
What level is required for My-Lejon Christine?
The indicated level corresponds to the end of the first cycle. The writing is oriented towards acquiring chamber music skills. The work notably focuses on the stability of each voice and listening between sections.
Does the score include separate parts?
The material includes a 4-page conductor's score and three separate parts of 2 pages each. Each instrument thus has its own line.
Can this work be used in string lessons?
The pagination of 4 + 3 x 2 pages allows use for sight-reading, rhythmic setup, and collective work. Entrances, stops, and balance between melody, accompaniment, and counterpoint are among the focuses addressed.
What is the publication year of this Lemoine edition?
Published by Lemoine in 2012, this score belongs to the classical repertoire for violin, viola, and cello.
