Lemoine Murail - Le Désenchantement Du Monde Po - Concerto Symphonique Pour Piano et Orchestre
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Lemoine
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Hexamusic
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Summary of This Score
This score is part of the dynamic of contemporary music, driven by a collaboration among major players in the symphonic scene. Its premiere took place on May 4, 2012 at the Musica Viva Festival in Munich, Germany, with Pierre-Laurent Aimard at the piano, the Symphonieorchester des Bayerischen Rundfunks, and George Benjamin conducting. These elements provide valuable reference points to situate the work, understand its aesthetic, and connect the score reading to a benchmark interpretation.
The combination of a piano soloist and orchestra within the framework of a renowned festival highlights a writing style designed for timbral dialogue, balance of sound masses, and precision of instrumental gesture. For both performer and student, this score offers a rich field for exploration: articulation of the piano within the orchestral texture, dynamic management, clarity of sonic layers, and large-scale dramaturgical construction.
The commission comes from a prestigious consortium: Musica Viva, the New York Philharmonic, the Royal Concertgebouw Orchestra, and the Seoul Philharmonic Orchestra. This potential international dissemination attests to the artistic interest of the work and its ability to fit into diverse programming. Whether you are a pianist, conductor, orchestrator in training, music librarian, or simply a fan of contemporary repertoire, this score represents a relevant resource for deepening the study of a major creation of the early 21st century.
Technical specifications
| Musical Genre | Classical | ||
| Artist | Pierre-Laurent Aimard | Year of Publication | 2012 |
| Instrumentation | piano and orchestra | ||
Questions frequently asked
For which ensemble is this score written?
The indicated instrumentation features a solo piano and an orchestra.
When and where was Le Désenchantement du monde premiered?
The premiere took place on May 4, 2012, at the Musica Viva Festival in Munich, Germany. Pierre-Laurent Aimard performed the piano part. The Symphonieorchester des Bayerischen Rundfunks was conducted by George Benjamin.
What is the publication year of this work by Murail?
The indicated publication year is 2012, in the classical genre.
Which orchestras participated in the commission?
The commission was carried out by Musica Viva, the New York Philharmonic, the Royal Concertgebouw Orchestra, and the Seoul Philharmonic Orchestra. This group of commissioners places the work in an international symphonic context.
Is this score suitable for studying writing for piano and orchestra?
The writing involves the dialogue between the solo piano and the orchestral masses. Studying the score allows one to address dynamics, sound layers, and large-scale dramaturgical structure.



