Lemoine Murail - Sta Viiia - Violon Clarinette Violoncelle Et Piano
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Lemoine
https://www.henry-lemoine.com/fr/nous-contacter
info@henry-lemoine.com
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Hexamusic
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Summary of This Score
This score by Tristan Murail is consciously connected to the universe of Olivier Messiaen, recalling the extraordinary circumstances of the composition and premiere of the Quatuor pour la fin du Temps in the Stalag VIII A prisoner camp in Görlitz. The program note sketches a sonic and mental landscape: Silesian winter, cold, darkness, waiting, then the slow emergence of musical ideas, fragile and sometimes interrupted, before taking shape again.
Throughout the work, the writing explores dark sonorities and icy colors that progressively metamorphose. The piano plays a structuring role through recurring chords, described as "contracted resonances" by Messiaen, here conceived as spectral chords serving as a reference point and leitmotif. These harmonies return, transform, lighten, or thicken, guiding the listening experience and the architecture of the piece.
The ensemble of violin, cello, clarinet, piano allows for great timbral finesse: blending registers, attack contrasts, interplay of resonances and textures. This score naturally fits into a program of contemporary chamber music, both for its color exploration and ensemble work (balance, shared breathing, rhythmic precision, and harmonic listening). A powerful proposition for performers seeking a modern, expressive, and deeply narrative repertoire.
Technical specifications
| Musical Genre | Classical | ||
| Composer | Tristan Murail | Genre | contemporary chamber music |
| Instrumentation | violin, cello, clarinet, piano | ||
Questions frequently asked
What is the instrumentation of Sta VIIIA?
The ensemble consists of violin, clarinet, cello, and piano, according to the indicated scoring for this work by Tristan Murail.
Is this score related to the Quartet for the End of Time?
The composition is connected to the world of Olivier Messiaen and recalls the creation of the Quartet for the End of Time at Stalag VIII A in Görlitz. The referenced context includes the Silesian winter, cold, and waiting. The recurring piano chords are associated with the "contracted resonances" described by Messiaen.
What role does the piano play in this chamber music?
The piano structures the piece through recurring spectral chords that serve as anchors and leitmotifs. These harmonies may lighten or thicken throughout the composition.
What sonic language does this work by Tristan Murail offer?
The writing explores dark sonorities and icy colors, with a gradual transformation of textures. The blending of registers between violin, clarinet, cello, and piano contributes to this timbral exploration.
For what type of program is this score suitable?
This score belongs to the contemporary chamber music genre. It allows for ensemble work focused on balance, rhythmic precision, and attentive listening to harmonics.
