Lemoine Mylejon - Na Voda - Flûte Hautbois Et Piano
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Lemoine
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Hexamusic
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Summary of This Score
Designed for a flute, oboe, and piano ensemble, this classical music score offers a short and structured piece, particularly suitable for cycle 2 students and young musicians discovering trio playing. The dialogue between the two melodic instruments encourages active listening, breath management, intonation, and precision of attacks, while the piano provides essential harmonic and rhythmic support to secure the ensemble's timing.
With a duration of about 3 minutes, the work is well suited to educational contexts: sectional work, preparation of a required passage, or building an end-of-term program. In rehearsal, it allows addressing key chamber music concepts such as balance of sound layers (not covering the partner's line), coherence of phrasing, as well as the quality of dynamics and articulations. The "score + parts" format also facilitates organization: each musician has their dedicated material, making study smoother whether in class, ensemble rehearsal, or independent practice.
Technical specifications
| Musical Genre | Classical | ||
| Instrumentation | flute, oboe, and piano | Pages | 8 + 4 + 4 |
| Genre | Classical | Year of publication | 2010 |
| Difficulty | cycle 2 | ||
Questions frequently asked
What level is required to play Na Voda by Lemoine Mylejon?
The indicated difficulty corresponds to cycle 2. The piece is intended for students discovering trio playing with flute, oboe, and piano.
What is the duration of Na Voda for flute, oboe, and piano?
With an approximate duration of 3 minutes, the work is suitable for sectional practice or an end-of-term program.
Does the score include separate parts?
The edition includes an 8-page full score, accompanied by two separate parts of 4 pages each. Thus, each musician has their dedicated part.
Which aspects of chamber music does this piece allow to work on?
The writing dialogues between the flute and the oboe. The piano provides harmonic and rhythmic support. The piece notably addresses intonation, breathing, and articulation precision.
From which year is this edition?
Published in 2010, this score belongs to the classical repertoire for flute, oboe, and piano.
