Lemoine Pellegrino - Méth.sax."swing Au.." - Saxophone
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Manufacturer Information
Lemoine
https://www.henry-lemoine.com/fr/nous-contacter
info@henry-lemoine.com
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Safety manager:
Hexamusic
Email: hexamusic@wanadoo.fr
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Summary of This Method
After the "New Orleans" and "Swing" styles, the saxophone was first improvised within large swing orchestras dedicated to dance, before asserting itself also in smaller formations. This evolution, at the heart of jazz, helps to understand how the saxophone language progressively transformed: from a playing style deeply rooted in collective energy and the swing pulse, towards a freer, more incisive, and more virtuosic expression that contributed to shaping the "Bebop" style.
This method puts into perspective this essential transition for any saxophonist wishing to develop credible and idiomatic improvisation. It helps identify style markers (accentuation, articulation, relationship to time, role in the orchestra) and better grasp why the shift from big band to small ensembles changed the way phrases are constructed. By working on these landmarks, you consolidate your jazz culture and gain mastery to improvise with a coherent sound, placement, and intention according to the targeted aesthetic.
Technical specifications
| Publication | Methods | ||
| Instrumentation | saxophone | Language | French |
| Genre | jazz method | ||
Questions frequently asked
Is this saxophone method book in French?
The book is specified to be in French and falls under the category of jazz methods for saxophone.
Does the Lemoine Pellegrino method cover the transition from swing to bebop?
The content highlights the evolution of the saxophone from big swing orchestras to smaller groups associated with the rise of bebop. Emphasis is placed on the transformation of improvised language during this jazz period.
Which aspects of jazz improvisation are addressed?
Topics covered include emphasis, articulation, and timing. The role of the saxophone within the ensemble is also studied. These concepts help construct phrases that align with the swing or bebop aesthetic.
Is this method suitable for understanding big band playing?
The approach focuses on saxophone improvisation in large swing orchestras dedicated to dance, before addressing the shift toward smaller ensembles.
For which instrument is this jazz method intended?
The indicated instrument is the saxophone, with content centered on its language in the New Orleans, swing, and bebop styles.
