Lemoine PIAZZOLLA A. - TANGO-ETUDES (6) OU ETUDES TANGUISTIQUES - 2 FLUTES
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Lemoine
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Hexamusic
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Summary of This Score
This transcription for two flutes, arranged by Exequiel Mantega and revised by Paulina Fain, offers an expressive journey in six movements, each guided by a clearly defined character indication. No. 1 "Decided" establishes a clear intention and a strong musical direction, perfect for refining attack and sound projection in duo. No. 2, "Anxious and rubato," invites work on tempo flexibility, shared breathing, and coordination of rhythmic liberties between the two flutists. No. 3 "Molto marcato e energico" emphasizes energy, clarity of articulation, and precision of accents, while demanding a true sense of dynamic shaping.
No. 4 "Lento meditativo" opens a more introspective space, conducive to working on legato, intonation, and timbral homogeneity. No. 5, without indication, allows more room for interpretive choices: phrase construction, breathing, dynamics, and color become essential levers to give the duo a musical identity. Finally, No. 6 "Avec anxiété" returns to an expressive tension requiring fine listening, mastery of contrasts, and precise control of intensity. A chamber music score ideal for study, flute lessons, or performance, exploring a wide palette of moods within a single program.
Technical specifications
| Musical Genre | Latin | Publication | Sheet music |
| Arranger | Exequiel Mantega | Genre | score - chamber music |
| Instrumentation | two flutes | ||
Questions frequently asked
What is the instrumentation of Piazzolla's Tango-Études?
The score is written for two flutes and belongs to chamber music.
How many études are included in this collection for two flutes?
The collection comprises six Tango-Études, organized into six pieces with contrasting characters.
What musical characters are indicated in the six études?
Numbers 1 to 4 bear the indications "Decided," "Anxious and rubato," "Molto marcato e energico," and "Lento meditativo." Number 5 has no character indication. Number 6 is marked "With anxiety."
Who arranged the piece for two flutes?
The arrangement is by Exequiel Mantega. The revision is attributed to Paulina Fain.
What duo challenges are addressed in the Tango-Études?
The writing of No. 2 requires flexibility in tempo, shared breathing, and rhythmic coordination. No. 3 focuses on articulation and accents, while No. 4 works on legato and timbre homogeneity.
