Lemoine Pujol - Cara Y Ceca
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Manufacturer Information
Lemoine
https://www.henry-lemoine.com/fr/nous-contacter
info@henry-lemoine.com
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Safety manager:
Hexamusic
Email: hexamusic@wanadoo.fr
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Summary of This Score
This presentation highlights the musical world of Maximo Diego Pujol through the major stages of his training and career. A guitarist from the Argentine school, he deepened his playing with renowned pedagogues and performers, while developing a solid compositional work early on through studies in harmony and composition.
Between 1981 and 1989, his work was regularly recognized, both for guitar performance and composition, confirming a dual identity as performer and author. This recognition was accompanied by significant pedagogical activity: Pujol conducts master classes in South America, Europe, Asia, and Oceania, helping to spread an aesthetic where the guitar becomes a true "orchestra" of timbres, rhythms, and colors.
His oeuvre strongly reflects the Argentine musical heritage, particularly tango in the lineage of Astor Piazzolla. It features both the momentum of earlier, more spontaneous pieces and a more structured writing in later works, nourished by an academic formal thinking. For the performer, these biographical and stylistic markers provide a useful context for approaching the articulation, rhythmic energy, and musicality typical of contemporary tango.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Maximo Diego Pujol | ||
Questions frequently asked
Is Cara Y Ceca a score by Maximo Diego Pujol?
The score is attributed to the composer Maximo Diego Pujol, a guitarist from the Argentine school.
What musical style does Cara Y Ceca represent?
The work is classified in the classical genre. Its stylistic context is rooted in the Argentine heritage and the tango aesthetic associated with Astor Piazzolla.
Is this score suitable for practicing contemporary tango on guitar?
Pujol's writing places the guitar at the center of a study of timbres and rhythms. The interpretation can rely on the articulation, rhythmic energy, and musicality typical of contemporary tango.
What educational context surrounds the work of Maximo Diego Pujol?
The composer has conducted master classes in South America, Europe, Asia, and Oceania. This activity supports an approach to the guitar conceived as an orchestra of sound colors.
Which period of Pujol's career does this score reflect?
Between 1981 and 1989, Maximo Diego Pujol received several awards for guitar and composition. His catalogue associates initially spontaneous pieces with later works of more formal writing. These benchmarks help situate his language between Argentine tradition and academic thought.



