Lemoine Pujol - Peregrino
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Manufacturer Information
Lemoine
https://www.henry-lemoine.com/fr/nous-contacter
info@henry-lemoine.com
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Safety manager:
Hexamusic
Email: hexamusic@wanadoo.fr
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Summary of This Score
This presentation highlights the musical world of Maximo Diego Pujol through the major stages of his training and career. A guitarist from the Argentine school, he deepened his playing with renowned pedagogues and performers, while developing a solid compositional work early on through studies in harmony and composition.
Between 1981 and 1989, his work was regularly recognized, both for guitar performance and composition, confirming a dual identity as performer and author. This recognition was accompanied by significant pedagogical activity: Pujol conducts master classes in South America, Europe, Asia, and Oceania, helping to spread an aesthetic where the guitar becomes a true "orchestra" of timbres, rhythms, and colors.
His oeuvre strongly reflects the Argentine musical heritage, particularly tango in the lineage of Astor Piazzolla. It features both the momentum of earlier, more spontaneous pieces and a more structured writing in later works, nourished by an academic formal thinking. For the performer, these biographical and stylistic markers provide a useful context for approaching the articulation, rhythmic energy, and musicality typical of contemporary tango.
Technical specifications
| Musical Genre | Traditional, World | Publication | Sheet music |
| Composer | Maximo Diego Pujol | ||
Questions frequently asked
What is the musical style of Peregrino?
The score belongs to the traditional and world music genres, with a strong reference to the Argentine musical heritage and tango.
Who composed the Peregrino score?
The work is by Maximo Diego Pujol, a composer and guitarist from the Argentine school. His writing combines training in harmony and composition with an instrumental approach nurtured by the guitar.
Is this score influenced by Argentine tango?
The aesthetic particularly relies on tango in the tradition of Astor Piazzolla. The performance can thus emphasize articulation, rhythmic energy, and color contrasts. These elements correspond to the stylistic markers associated with Pujol's work.
Is Peregrino suitable for rhythmic musicality work?
The context of this score highlights the rhythms and timbres of the guitar within a contemporary tango aesthetic. Pujol's music conceives the guitar as an orchestra of sound colors.
Which period of Maximo Diego Pujol's career does this score reflect?
Between 1981 and 1989, Maximo Diego Pujol received awards for guitar and composition. His catalog brings together initially more spontaneous pieces and later works characterized by formal academic writing.
