Lemoine Rivoal - Chansons et Danses D'amerique Latine Vol.c - 2 Guitares
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Lemoine
https://www.henry-lemoine.com/fr/nous-contacter
info@henry-lemoine.com
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Hexamusic
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Summary of This Score
This score for 2 guitars (Collection: Rivoal Yvon) offers a selection of pieces with South American colors, perfect for enriching classical guitar repertoire while exploring highly contrasting rhythmic styles. The duo format allows role distribution (melody, accompaniment, counter-melodies), which helps develop independence, rhythmic regularity, and precision in articulation. Throughout the pages, one explores atmospheres that are alternately lyrical, festive, or dance-like, with writing designed to sound "together": ideal for chamber music, student recitals, or playing moments for two.
The content includes 10 pieces from various traditions: Caminito de La Sierra (Mexico), Canto Antigo (Brazil), Carnavalito (Peru), Chorinho (Brazil), Cueca (Bolivia), Dos Palomitas (Argentina), Ojos Azules (Chile), La Sanduga (Mexico), Sertaneja (Brazil), and Terezinha de Jesus (Brazil). This diversity is a true pedagogical asset: it encourages working on pulse, the accentuations specific to each dance, as well as the quality of phrasing and articulation. Thanks to Level 2, the score is particularly suitable for duos wishing to consolidate their ensemble playing without facing overly advanced difficulties, while seeking an expressive and structured interpretation.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Instrumentation | 2 guitars | Difficulty | 2 |
| Collection | Rivoal Yvon | Pages | 14 |
Questions frequently asked
What is the difficulty level of these guitar duets?
Level 2 is intended for duets aiming to strengthen rhythmic consistency, independence of parts, and precision of attacks.
How many pieces are included in Chansons et Danses d'Amérique Latine Vol. C?
The collection gathers 10 pieces for 2 guitars over 14 pages. Among them are Caminito de La Sierra, Chorinho, Cueca, and Ojos Azules.
Which countries and styles are represented in this sheet music for two guitars?
The pieces come from traditions of Mexico, Brazil, Peru, Bolivia, Argentina, and Chile. Carnavalito is from Peru, while Canto Antigo, Sertaneja, and Terezinha de Jesus are Brazilian.
Is this sheet music suitable for classical guitar chamber music?
The writing distributes melody, accompaniment, and countermelodies between the 2 guitars. It allows working on the accents characteristic of dances and phrasing within an ensemble playing context.
In which collection is this sheet music published?
This edition belongs to the Rivoal Yvon collection and falls under the classical genre.
