Lemoine Vierne Louis - Les Angelus Op.57 - Voix Orgue
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Summary of This Score "Au Matin - A Midi - Au Soir"
"Au Matin - A Midi - Au Soir" offers a writing conceived for the dialogue between voice and organ, with particular attention paid to line leading and harmonic support. The title evokes three times of the day, allowing for contrasts in mood and dynamics: an effective way to build a musical and expressive progression while maintaining overall coherence.
This score is intended for musicians seeking a classical repertoire for voice and organ, whether in a concert setting, ceremony, or regular practice. The organ plays a structuring accompaniment role, capable of carrying breath and phrasing, while the vocal part emphasizes clarity of delivery and the intention of the musical text. A relevant choice for working on voice-instrument balance, ensemble, and nuance, while discovering the world of Louis VIERNE.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Louis VIERNE | Pages | 22 |
| Instrumentation | voice and organ | Year of Publication | June 1931 |
| Genre | classical | ||
Questions frequently asked
What is the instrumentation of Louis Vierne's Angelus op. 57?
The score is written for voice and organ. The organ provides a structuring accompaniment designed to support the phrasing and breathing of the vocal line.
How many pages does this voice and organ score have?
The work consists of 22 pages.
Which movements are included in Les Angelus op. 57?
The collection is structured around three movements: "Au Matin," "À Midi," and "Au Soir." This arrangement suggests contrasts in atmosphere and dynamics throughout the performance. The set maintains musical coherence among the three pieces.
Is this Louis Vierne work suitable for a ceremony?
Its voice and organ forces allow for use in both ceremonial and concert settings. The writing emphasizes the balance between the vocal part and the organ accompaniment.
What is the musical style of this Vierne score?
This edition belongs to the classical repertoire. It offers an approach to Louis Vierne's world through writing intended for voice accompanied by organ.



