Les Presses Du College Musical DELVEDEZ EDME-MARIE-ERNEST - MES MEMOIRES (1890) & LE PASSE A PROPOS DU PRESENT (1893)
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Les Presses Du College Musical
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Summary of This Book
Conductor at the Opéra de Paris, active at the Société des Concerts du Conservatoire, and professor of the orchestral class at the Conservatoire de Paris, Deldevez held major positions that give him a panoramic view of the French musical landscape. His memoirs open a valuable window onto the artistic Paris of the second half of the 19th century, at a time when cultural life was organized around major institutions, concerts, premieres, and aesthetic disputes.
The narrative notably puts into perspective the tensions and discussions sparked by Wagner, whose influence and stances fueled numerous debates. Throughout the pages, there is particularly rich material for those interested in the history of conducting, the reception of works, the mentalities of the musical milieu, but also the mechanisms of artistic life in Paris: networks, programming, audience reactions, and the role of influential personalities.
Beyond its historical interest, this book stands out for its vivid tone: Deldevez sprinkles his testimony with numerous, sometimes amusing anecdotes, and "of prime importance" information that brings events to life. It is a recommended read for musicians, conductors, conservatory students, music lovers, and cultural history enthusiasts seeking a lively, useful document deeply rooted in the musical daily life of the 19th century.
Technical specifications
| Composer | Deldevez | Edition | Jean-Philippe Navarre |
| Artist | Deldevez | Genre | Memoirs, musical history |
Questions frequently asked
What musical topics are covered in Deldevez's memoirs?
The book covers Parisian musical life in the second half of the 19th century, including concerts, premieres, and aesthetic debates. Particular attention is given to the discussions sparked by Wagner and his reception.
Is this book suitable for conducting students?
Deldevez's testimony provides insights into the history of conducting, based on his work at the Paris Opera and the Conservatoire Concerts Society. His experience as a professor of the orchestral class at the Conservatoire de Paris places these observations within the context of musical education.
Does Mes Mémoires (1890) and Le Passé à propos du présent (1893) combine two texts?
The title brings together Mes Mémoires, dated 1890, and Le Passé à propos du présent, dated 1893.
Which aspects of Parisian artistic life are documented?
The pages discuss musical networks, concert programming, and audience reactions in Paris. Influential personalities and the workings of major institutions are also featured.
What edition is this work by Deldevez?
The indicated edition is Jean-Philippe Navarre. The announced genre combines memoirs with musical history.



