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Ecrits Des Castrats Sur Le Chant Vol.1

Ecrits Des Castrats Sur Le Chant Vol.1

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Summary of This Book

The Art of the Castratiis based on a crucial observation: there are very few printed documents of a truly technical nature (methods, treatises) that allow a precise understanding of the training and practice of virtuoso singers of the 17th and 18th centuries. The famous sheet attributed to Porpora remains unknown, despite some late claims, and only indirect traces survive, such as numerous solfeggi from the Neapolitan school (Durante, Scarlatti, Leo, Aprile, etc.).

In this context, this volume highlights the paramount importance of the writings of Pierfrancesco Tosi (1654-1732) and Giovanni Battista Mancini (1714-1800). Heirs to an exceptional tradition of interpretation, these two castrati deliver a true compendium on singing, addressing the multiple facets of vocal art in the 18th century: technical demands, sound culture, mastery of phrasing, sense of style, and understanding of ornamentation in the service of expression.

Designed as a reference tool for singers, vocal technique teachers, répétiteurs, and enthusiasts of performance history, this book offers structured access to key texts to better grasp the foundations of bel canto. It also fits within a continuity approach, as a second volume, announced as an essential complement, gathers writings and exercises from other major figures (Rauzzini, Tenducci, Crescentini, Pacchierotti) as well as various musical pieces.

Technical specifications

PublicationMethods
ArtistPierfrancesco Tosi; Giovanni Battista ManciniGenretreatise and pedagogy of singing (bel canto, 18th century)
Instrumentationvoice (singing)

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